Transvestites and Transgressions
Panggagayain Philippine Gay Cinema
Datos Bibliográficos
| ID | 3649812 |
|---|---|
| Autores | Rolando B Tolentino (0009-0004-2917-9566, University of the Philippines Diliman, autor de correspondencia) |
| Año | 2000 |
| Volumen | 39 |
| Número | 3-4 |
| Páginas | 325-337 |
| Fecha de publicación | 2000-11-28 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Journal of Homosexuality (JOURNAL) |
| Identificadores de la revista | ISSN: 0091-8369 • E-ISSN: 1540-3602 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1300/j082v39n03_17 |
| PMID | 11133142 |
| OpenAlex | W1865018424 |
| Idioma | EN |
| Citas recibidas | 7 |
Philippine cinema has long afforded spectators constructions of queerness not only deviating from Western queer theory but also from other continentally Asian homosexual traditions. Using as my primary text Lino Brocka's 1978 film My Father, My Mother, I examine how indigenous ideas of transsexuality and transgender are not only constructed by alternatively sexual images manufactured and appropriated by the Marcos regime, but how those sexual images construct and perpetuate class divisions as criteria of an ongoing Philippine sexual economy
Art history · Construct (python library · Indigenous · Movie theater · Queer · Sociology · Transgender · Asian Culture and Media Studies · Gender Studies · History · Philippine History and Culture · Psychology · Southeast Asian Sociopolitical Studies
| Obras citantes distintas | 7 |
|---|---|
| Citas por año | 0,37 |
| Intervalo de citas | 2007 - 2024 (18) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 7 |