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The Patience of Film

Cavell, Nancy and a Thought for the World

Datos Bibliográficos

ID3774527
AutoresDaniele Rugo (0000-0001-8606-9524, 106 Gaskell Building, Department of Social Sciences, Media & Communications, Brunel University London, Uxbridge UB8 3PH, UK, autor de correspondencia)
Año2015
Volumen20
Número4
Páginas23-35
Fecha de publicación2015-10-02
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaAngelaki (JOURNAL)
Identificadores de la revistaISSN: 0969-725X • E-ISSN: 1469-2899
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/0969725x.2015.1096628
OpenAlexW2800967153
IdiomaEN
Citas recibidas2
Referencias citadas11

Despite considerable differences Stanley Cavell and Jean Luc Nancy share the demand for a renewal of thinking produced through and with the concept of the world. Their articulation of the legacy bequeathed by Heidegger and Wittgenstein begins with an understanding of the world in excess of knowledge and insists on this impossible mastery as the most productive incentive for thinking. Inasmuch as philosophy has understood itself as producer of worldviews, systems and principle, philosophy has constantly suppressed the thinking of the world, for any worldview absorbs and dissolves the world in its vision. For both Cavell and Nancy an insistence on this suppression leads to an emphasis on film. Two gestures can be said to intertwine in their thinking of film: to recapture our relation to the world as one that is not based on knowing as certainty, but on the reception of the singular; to recapture thinking as that which is attracted and called for by the insurgence of the singular, by the seam(s) in experience. Nancy and Cavell reverse the idea of cinema as completing the regime of representation stressing how cinema produces a step away from thinking as representation in view of what the article names thinking as patience. The article concludes by asking: what does it mean for philosophy to understand itself as patience

Aesthetics · Art · Articulation (sociology · Certainty · Epistemology · Gesture · Linguistics · Literature · Movie theater · Object (grammar · Patience · Political science · Relation (database · Representation (politics · Sociology · Computer Science · Ethics, Aesthetics, and Art · Law · Philosophy · Philosophy, Ethics, and Existentialism · Wittgensteinian philosophy and applications

  • Limbo e a Evidência do Filme

    Open Access•Andrea Cachel, Pedro Monte Kling•Domínios da Imagem•2026

  • Not Yet the Last

    Dominic Lash•Angelaki•2024

  • Adoration

    Jean-Luc Nancy, Jean‐luc Nancy et al.•Adoration•2012

  • In Quest of the Ordinary

    Stanley Cavell•In Quest of the Ordinary•1988

  • Must We Mean What We Say?

    Open Access•Stanley Cavell•Must We Mean What We Say?•2002

  • What's These Worlds Coming To

    Jean-Luc Nancy, Jean‐luc Nancy et al.•What's These Worlds Coming To?•2014

  • The World Viewed

    George M Wilson, Stanley Cavell•The Philosophical Review•1974

  • The Claim of Reason. Wittgenstein, Scepticism, Morality and Tragedy

    H O Mounce, Stanley Cavell•The Philosophical Quarterly•1981

  • Philosophy the Day after Tomorrow

    Stanley Cavell•Philosophy the Day after Tomorrow•2006

Obras citantes distintas2
Citas por año1
Intervalo de citas2024 - 2026 (3)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 2
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