Advertising the Chinese dream
Urban billboards and Ni Weihua's documentary photography
Datos Bibliográficos
| ID | 3839232 |
|---|---|
| Autores | Meiqin Wang (0000-0002-2443-196X, California State University, Northridge, autor de correspondencia) |
| Año | 2015 |
| Volumen | 29 |
| Número | 2 |
| Páginas | 176-201 |
| Fecha de publicación | 2015-07-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | China Information (JOURNAL) |
| Identificadores de la revista | ISSN: 0920-203X • E-ISSN: 1741-590X |
| Editorial | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0920203x15582023 |
| OpenAlex | W2342309998 |
| Idioma | EN |
| Citas recibidas | 10 |
| Referencias citadas | 25 |
Consumerism is a central feature of urbanism in China and has been actively promoted as a sign of urbanity in the official rhetoric and mass media. This urban ideology is exemplified by the ubiquitous presence of street advertisements that often occupy prominent urban public spaces. After all, turning every citizen of China into a consumer has become a widely accepted Chinese dream and one that is employed to mobilize a population otherwise divided by the ever-widening gap between the rich and poor. Advertisements have assumed a commanding role and are utilized by both official entities and private corporations to promote all kinds of urban consumption, ranging from concrete commodities such as high-end homes, beautiful neighbourhoods, and luxurious goods to intangible symbols such as lifestyle, ideology, and cosmopolitan identity. All these have fallen under the scrutiny of the Shanghainese artist Ni Weihua, whose photography documents billboards advertising official ideologies and real-estate projects in Shanghai and other cities. This study brings into context Ni's artistic practice and examines specific ways in which his photographic series Keywords (关键词) and Landscape Wall (风景墙) engage with formal advertisements in the street both as an urban reality and as a site for deconstruction
Advertising · Aesthetics · Archaeology · Art · Business · China · Consumerism · Context (archaeology · Ideology · Media studies · Political science · Politics · Population · Scrutiny · Sociology · China's Socioeconomic Reforms and Governance · Chinese history and philosophy · History · Law · Urban Planning and Governance
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Santu Mofokeng
Revisiting a de-Humanized Shanghai
Negotiating spatial politics
Heritage as theatre
Urban revolution and Chinese contemporary art
Artistic interventions in contemporary China
Urbanized interfaces
Emerging Land Markets in Rural and Urban China
The Making and Selling of Post-Mao Beijing
Cities Surround The Countryside
History Writ Large
Civilising the Citizens
Zone Fever', the Arable Land Debate, and Real Estate Speculation
Spectacular Beijing
City profile
Globalizing Shanghai
Bourgeois Bohemians in China? Neo-Tribes and the Urban Imaginary
The production of space
Urban Development and a Socialist Pro-Growth Coalition in Shanghai
The City as the Focus
City Repositioning and Competitiveness Building in Regional Development
China's Gentry. Essays in Rural-Urban Relations
Urban revolution and Chinese contemporary art
Migrant workers and the imaging of human infrastructure in Chinese contemporary art
Subverting official language and discourse in China? Type river crab for harmony
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| Obras citantes distintas | 10 |
|---|---|
| Citas por año | 0,91 |
| Intervalo de citas | 2015 - 2025 (11) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 10 |