Defining a Space for New Art Genealogies - North-African and Middle-Eastern Modernities and Critical Legacies
Datos Bibliográficos
| ID | 3872076 |
|---|---|
| Autores | Émilie Goudal (0000-0002-2696-1251, autor de correspondencia) |
| Año | 2018 |
| Volumen | 51 |
| Número | 51 |
| Páginas | 57-69 |
| Fecha de publicación | 2018-11-27 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Critique d’art (JOURNAL) |
| Identificadores de la revista | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Editorial | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.36637 |
| OpenAlex | W2904692098 |
| Idioma | EN |
| Citas recibidas | 1 |
Mirroring an interview of Edward W. Saïd that is yet unpublished in French, the philosopher Seloua Luste Boulbina ironically asks: “Can the Arab speak?” It is also a reference to the title of Gayatri Spivak’s famous essay on the silenced voice of subalterns, but it takes on a new dimension in regards to the recent international publications devoted to critical and artistic works produced in the Middle East and North Africa. Beyond the category of “contemporary Islamic art” which is inevitably
Archaeology · Critical edition · Critical theory · Epistemology · Islam · Linguistics · Middle East · Mirroring · Sociology · Classics · History · Islamic Studies and History · Middle East Politics and Society · Philosophy · Public Spaces through Art
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,13 |
| Intervalo de citas | 2018 - 2018 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |