Histories and Archives of Chinese Contemporary Art
New and Disparate Elements
Datos Bibliográficos
| ID | 3872098 |
|---|---|
| Autores | Jean-Marc Poinsot (autor de correspondencia) |
| Año | 2018 |
| Volumen | 51 |
| Número | 51 |
| Páginas | 31-43 |
| Fecha de publicación | 2018-11-27 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Critique d’art (JOURNAL) |
| Identificadores de la revista | ISSN: 1246-8258 • E-ISSN: 2265-9404 |
| Editorial | OpenEdition (PUBLISHER) |
| DOI | 10.4000/critiquedart.36650 |
| OpenAlex | W2905096593 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 1 |
The simultaneous publication of three different types of books on Chinese contemporary art confronts readers firstly to a series of booklets on Shanghai that combine personal accounts, analyses and documentation from 1998 to the present, written and published by Davide Quadrio; secondly to a comprehensive historical essay spanning the period from 1989 to 2016, written by Lü Peng, an institutionally well-integrated art historian who is attempting to build a properly Chinese general history; an
Aesthetics · Art · Art history · Biography · Documentation · Genealogy · Historical record · Visual arts · Art History and Market Analysis · Chinese history and philosophy · Computer Science · Cultural Industries and Urban Development · History
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,17 |
| Intervalo de citas | 2020 - 2020 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |