Ritual and Transgression
A case study in new music
Datos Bibliográficos
| ID | 3906178 |
|---|---|
| Autores | Sara Carvalho (0000-0002-7501-5405, autor de correspondencia), Helena Marinho (0000-0002-5868-8480, University of Coimbra) |
| Año | 2010 |
| Volumen | 08 |
| Número | 08 |
| Fecha de publicación | 2010-06-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | e-cadernos CES (JOURNAL) |
| Identificadores de la revista | ISSN: 1647-0737 • E-ISSN: 1647-0737 |
| Editorial | OpenEdition (PUBLISHER) |
| DOI | 10.4000/eces.486 |
| OpenAlex | W2047697744 |
| Idioma | EN |
| Citas recibidas | 2 |
| Referencias citadas | 15 |
This research lies on the concepts of ritual and narrative as applied in a case study of a musical theatre piece. In traditional musical narrative the focus is on construction, and one could speak of fields around which hierarchies, systems and rules of musical language are built. In this piece we find unpredictable transgressive musical gestures, acted out by performers, combined with conventional narrative procedures. This study aims to demonstrate that the concepts of musical narrative and ritual cannot be seen as isolated objects but as entities of transformation by composers, and how the trilogy composer/performer/listener (audience) is associated with narrative and ritual. Ritual and transgression can thus be linked to traditional concepts of musical narrative connecting composing, performing, and listening activities
Active listening · Aesthetics · Art · Gesture · Linguistics · Literature · Musical · Narrative · Performing arts · Polyphony · Sociology · Trilogy · Visual arts · Communication · Music History and Culture · Musicology and Musical Analysis · Philosophy · Theater, Performance, and Music History
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 0,2 |
| Intervalo de citas | 2016 - 2020 (5) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |