The Ones That Are Wanted
Communication and the Politics of Representation in a Photographic Exhibition
Datos Bibliográficos
| ID | 3913098 |
|---|---|
| Autores | Raymond A Silverman, Corinne A Kratz |
| Año | 2002 |
| Volumen | 35 |
| Número | 2/3 |
| Páginas | 467 |
| Fecha de publicación | 2002-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The International Journal of African Historical Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 0361-7882 • E-ISSN: 2326-3016 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/3097626 |
| OpenAlex | W1541136809 |
| Idioma | EN |
| Citas recibidas | 21 |
Acknowledgments Prologue: From Exhibition to Book Okiek Portraits: The Exhibition Okiek Portraits: A Kenyan People Look at Themselves Exploring the Exhibition 1. Tracing Okiek Portraits: Images, Exhibitions, and the Politics of Representation 2. Producing Okiek Portraits: Collaboration, Negotiation, and Exhibitionary Authority 3. Imagining Audiences: Okiek Portraits in Kenya 4. Imagining Audiences: Okiek Portraits in the United States 5. The Final Venues: Designing and Defining Interpretation Appendix A: The Politics of Representation and Identities Appendix B: Key Relationships Represented in Okiek Portraits Appendix C: Learning about Visitors in Michigan and Georgia Notes Bibliography Index
Art · Art history · Exhibition · Political science · Politics · Sociology · Visual arts · African history and culture studies · History · Law · Museums and Cultural Heritage · Photography and Visual Culture
Objects of Affect
Pompeii Live
The Disappeared
Books of Critical Interest
Ideologies of Access and the Politics of Knowledge Production
Capturing Photo Narratives in Short-Term Study Abroad
Repeat Photography as a Method in Visual Anthropology
How We See Our Culture
Epilogues and Prefaces
Reflections on a Complex (and Cosmopolitan) Archive
One hundred years of suffering? "Humanitarian crisis photography" and self-representation in the Democratic Republic of the Congo
Velorios, santos y marimbas en el Museo Nacional de Colombia
An Excess of Description
Aesthetics of Muslim-ness
Exhibiting the 'Just-Lived Past
Thinking through the Canadian Museum for Human Rights
The Case of the Recurring Wodaabe
Producing FGM in U.S. Courts
Hostile visual encounters
Modesty and Modernity
Photography, exhibitions and embodied futures in colonial Uganda, 1908–1960
| Obras citantes distintas | 21 |
|---|---|
| Citas por año | 0,95 |
| Intervalo de citas | 2004 - 2021 (18) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 2 |