A society of things

Animal figurines and material scales at Neolithic Çatalhöyük

Datos Bibliográficos

ID3919476
AutoresL Meskell (0000-0001-9087-3611, Stanford University, autor de correspondencia)
Año2015
Volumen47
Número1
Páginas6-19
Fecha de publicación2015-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaWorld Archaeology (JOURNAL)
Identificadores de la revistaISSN: 0043-8243 • E-ISSN: 1470-1375
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00438243.2014.991800
OpenAlexW1993458787
IdiomaEN
Citas recibidas12
Referencias citadas29

Neolithic animals comprise more than half of the total figurine assemblage at Çatalhöyük (7400–6000 cal. BC), with some 741 horns and 449 quadrupeds, as opposed to only 187 human figurines. Many figurines, whether of wild cattle, boar or deer, are small, detailed, finely modeled and demonstrate anatomical knowledge and specificity. Their miniature quality allows them to do what real animals, plastered animal installations and wall paintings cannot – to socialize, and to facilitate embodied and immediate interaction between humans and wild animals. Figurines are active things in themselves and their small scale invites an intimacy, control and democratization of experience that was not possible with large-scale narrative paintings that were relegated to a few houses or with plastered bucrania retrieved from hunting. In this society of things, figurines are conduits between very different material scales and they effectively embody and communicate across the species divide in expedient and intimate ways

Archaeology · Art · Assemblage (archaeology · Biology · Cartography · Embodied cognition · Ethnology · Geography · Literature · Narrative · Painting · Scale (ratio · Sociology · Visual arts · Zoology · Ancient Near East History · Anthropology · Archaeology and ancient environmental studies · Ecology · Geographies of human-animal interactions · History · Philosophy