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War music and war psychology in the Civil War

Datos Bibliográficos

ID3933491
AutoresJ Stone (0009-0002-0432-7644), Joshua P Stone (0000-0001-6459-5240, autor de correspondencia)
Año1941
Volumen36
Número4
Páginas543-560
Fecha de publicación1941-10-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaJournal of Abnormal & Social Psychology (JOURNAL)
Identificadores de la revistaISSN: 0096-851X
EditorialAmerican Psychological Association (APA) (PUBLISHER)
DOI10.1037/h0053841
OpenAlexW1999826140
IdiomaEN
Citas recibidas3
Referencias citadas1

In the Civil War soldiers and civilians expressed themselves almost exactly as they had before the war was declared. Because both sides had had a common musical tradition, they both sang the same songs, regardless of the fact that logically they should have had nothing in common but bitter enmity. What songs the soldiers created themselves were merely old tunes given a passing context which generally concerned military life. The special songs of war, those expressing patriotic sentiment, were successful only when they were of the same musical type as the popular music of the period which was minstrel tunes, gospel hymns, and English sentimental ballads. (PsycINFO Database Record (c) 2006 APA, all rights reserved)

Political science · Psychoanalysis · Spanish Civil War · Applied Psychology · Diverse Music Education Insights · Law · Music History and Culture · Musicology and Musical Analysis · Psychology · Social Psychology

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  • The "belliphonic" ear

    James Deaville•Sound Studies•2017

  • English Folk Songs from the Southern Appalachians

    Louise Pound, Cecil J Sharp et al.•Journal of American Folklore•1933

Obras citantes distintas3
Citas por año0,04
Intervalo de citas1956 - 2017 (62)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 2
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