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Housewives, Hetairai, and the Ambiguity of Genre in Attic Vase Painting

Datos Bibliográficos

ID3938413
AutoresSheramy D Bundrick (0009-0005-1773-4865, autor de correspondencia), Sheramy D Bundrick Sheramy D Bundrick
Año2012
Volumen66
Número1/2
Páginas11
Fecha de publicación2012-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaPhoenix (JOURNAL)
Identificadores de la revistaISSN: 0031-8299 • E-ISSN: 1929-4883
EditorialProject MUSE (PUBLISHER • US)
DOI10.7834/phoenix.66.1-2.0011
OpenAlexW2389375864
IdiomaEN
Citas recibidas6
Referencias citadas38

A hydria by the Harrow Painter provides an opportunity to revisit the concept of genre and the depiction of women in classical Athenian vase painting. Scholars cannot agree on the social status of the female figure: hetaira or housewife? In this paper, I show that the criteria used to refute a “housewife” identification can be dismantled and that an oikos-centered interpretation is plausible. This does not, however, exclude the possibility of multiple readings; the ambiguity of this and other “genre scenes” is likely a deliberate strategy intended to attract the widest possible audience

Aesthetics · Ambiguity · Archaeology · Art · Art history · Attic · Depiction · Fountain · Housewife · Iconography · Identification (biology · Interpretation (philosophy · Linguistics · Literature · Mistake · Mythology · Narrative · Painting · Porch · Praise · Sociology · Vase · Visual arts · Art History and Market Analysis · Classical Antiquity Studies · Gender Studies · Historical and Literary Studies · History · Law · Law in Society and Culture · Philosophy

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Obras citantes distintas6
Citas por año0,5
Intervalo de citas2014 - 2024 (11)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 6
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