Revenge in Attic and Later Tragedy

Datos Bibliográficos

ID3938503
AutoresAnthony J Podlecki, Anne Pippin Burnett (autor de correspondencia)
Año2000
Volumen54
Número3/4
Páginas343
Fecha de publicación2000-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaPhoenix (JOURNAL)
Identificadores de la revistaISSN: 0031-8299 • E-ISSN: 1929-4883
EditorialJSTOR (PUBLISHER)
DOI10.2307/1089066
OpenAlexW2062445134
Open LibraryOL29603395M
ISBN9780520919952
IdiomaEN
Citas recibidas35

Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context. After a consideration of how our view of Elizabethan drama has obscured an accurate view of the ancient tragedies, Burnett reviews early Greek notions of vengeance as expressed in the Odyssey, Heracles' tales, Pindar's odes, Attic judicial processes, and the legend of Harmodius and Aristogeiton. Then, setting aside post-Platonic and Judeo-Christian notions of criminality, she provides new interpretations of all the Attic tragedies in which revenge is a central theme: Aeschylus' Libation Bearers, Sophocles' Ajax, Electra, and Tereus, and Euripides' Children of Heracles, Hecuba, Medea, Electra, and Orestes. Burnett shows that for the ancients, revenge meant a redress of imbalances in both human and divine worlds, achieved through human actions. The vengeful heroines thus appear in a new light. Electra, Hecuba, Medea, and others cease to be the picture of depravity in dramas that are grotesque and sensational, and are instead representative human figures who respond with grandeur to the outsize demands of necessity and supernatural powers

Archaeology · Art · Attic · Literature · Tragedy (event · Classical Antiquity Studies · History · Shakespeare, Adaptation, and Literary Criticism · Greek drama · Greek drama, history and criticism · History and criticism · Revenge in literature