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Aeschylus, Homer, and the Serpent at the Breast

Datos Bibliográficos

ID3940094
AutoresK O''Neill, K O'Neill, Kevin C O’Neill (autor de correspondencia)
Año1998
Volumen52
Número3/4
Páginas216
Fecha de publicación1998-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaPhoenix (JOURNAL)
Identificadores de la revistaISSN: 0031-8299 • E-ISSN: 1929-4883
EditorialJSTOR (PUBLISHER)
DOI10.2307/1088668
OpenAlexW2312896734
IdiomaEN
Citas recibidas2
Referencias citadas12

CLYTEMNESTRA'S.DREAM OF GIVING BIRTH TO A SERPENT and her bare-breasted confrontation with her son have long been at the center of various literary and psycho-analytical interpretations of Aeschylus' Oresteia.' It is generally accepted that Clytemnestra's bare-breasted supplication of Orestes alludes to Hecuba's similar supplication of Hector in the Iliad.2 The abundance of snake imagery applied to Clytemnestra and Orestes in the Choephori has usually been attributed to the influence of Stesichorus, whose Oresteia contains a striking serpent image of its own.3 In this paper, I will re-examine the relationship of Clytemnestra's supplication to the Homeric model, and argue that significant material found in the same context in both works has been passed over by modern scholarship. Building on the allusion to Hecuba's supplication, I will argue that the Aeschylean image of the serpent at the breast has an antecedent in this Homeric passage, creating an important intertextual relationship. Finally, I will show how this intertextual relationship illuminates the inter-personal dynamics of the climactic scenes of the Choephori. Reading has been described as an act of comparison, seeking a text's resemblance to, and difference from, other texts.4 The term intertextuality describes how a text depends on other texts for meaning, and describes the discursive space that a text occupies in relation to other texts. The expansiveness of intertextuality makes it almost impossible to discuss with regard to specific texts without violating the terms of its definition.s It is all-embracing in that a text is read in relation to all other texts. Yet, as soon as a reader compares a text with a single other text, the expansiveness of intertextuality is called into

Ancient history · Art · Serpent (symbolism · Classical Antiquity Studies · Classical Philosophy and Thought · Historical, Religious, and Philosophical Studies · History

  • Pesadilla de Clitemnestra en Esquilo y Sófocles

    Open Access•Guzmán Rodríguez Fernández•Veleia•2024

  • Reciprocity, Truth, and Gender in Pindar and Aeschylus

    Open Access•Arum Park•Reciprocity, Truth, and Gender in…•2023

  • Odysseus Polutropos

    Pietro Pucci•Odysseus Polutropos•1996

  • The Oresteia

    Marsh Mccall, Anne Lebeck•The American Journal of Philology•1974

  • Language, Sexuality, Narrative

    Open Access•Simon Goldhill•Language, Sexuality, Narrative•1984

  • Aeschylus

    Simon Goldhill•Aeschylus•2004

  • Dreams in Greek Tragedy

    Mary R Lefkowitz, George Devereux•The American Journal of Philology•1977

  • From Homer to Tragedy

    Richard L Garner, Richard Garner•From Homer to Tragedy•2015

  • The Burning Fountain

    William H Gass, Philip Wheelwright•The Philosophical Review•1956

  • In Praise of Prometheus. Humanism and Rationalism in Aeschylean Thought

    Donald Norman Levin, Leon Golden•The Classical World•1966

  • Homer's Ancient Readers

    Stephen Scully, Homer Homer et al.•The Classical World•1994

  • Greek Melic Poets

    Edward H Spieker, Herbert Weir Smyth•The American Journal of Philology•1900

  • Poetic Craft in the Early Greek Elegists

    John Herington, A W H Adkins•The Classical World•1987

  • The Motif of the Corrupted Sacrifice in Aeschylus' Oresteia

    Froma I Zeitlin•Transactions and Proceedings of…•1965

Obras citantes distintas2
Citas por año0,67
Intervalo de citas2023 - 2024 (2)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 2
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