Graffiti, Art, and Advertising
Re-Scaling Claims to Space at the Edges of the Nation-State
Datos Bibliográficos
| ID | 3948614 |
|---|---|
| Autores | Kenneth D Madsen (0000-0002-9025-405X, The Ohio State University Newark, autor de correspondencia) |
| Año | 2015 |
| Volumen | 20 |
| Número | 1 |
| Páginas | 95-120 |
| Fecha de publicación | 2015-01-02 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Geopolitics (JOURNAL) |
| Identificadores de la revista | ISSN: 1465-0045 • E-ISSN: 1557-3028 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14650045.2014.896792 |
| OpenAlex | W2051605034 |
| Idioma | EN |
| Citas recibidas | 11 |
Physical barriers are an increasingly popular political mechanism for central government control over the flows of goods and people at borders. This medium also, however, serves as a canvas for unsanctioned expressions of belonging. Just as graffiti and art are deployed in the urban landscape as unconventional means of claiming space, they are utilised on international border barriers to contest prevalent political winds and re-claim local and alternative senses of who belongs and what is deemed important in debates over border policy. This paper considers unauthorised text and visual imagery on the border barriers of the Arizona-Sonora section of the US-Mexico boundary as a therapeutic reaction to a state-dominated border policy which downplays local impacts. It is argued that such imagery serves to re-scale border space and thereby re-capture a sense of belonging by those whose roles are marginalised by national politics and the neoliberal global economy
Advertising · Art · Business · CONTEST · Graffiti · Media studies · Political economy · Political geography · Political science · Politics · Sociology · Visual arts · Cross-Border Cooperation and Integration · Law · Public Spaces through Art
I Was in Ventimiglia! Traces, signs and voices from people on the move
Affective Borderscapes
The Wall and the Politics of Exclusion and Inclusion at Baja California Borderlands
The imaginative struggles of Europe
Counteracting Everyday Violence at the Border
Hadrian’s Wall as Artscape
Erasing the place of dissent
The everyday art of resistance
The aesthetic turn in border studies
From Empty Parking Lots to Border Fences
Stop calling it graffiti
| Obras citantes distintas | 11 |
|---|---|
| Citas por año | 1,22 |
| Intervalo de citas | 2017 - 2026 (10) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 8 |