The Upright Brush
Yan Zhenqing's Calligraphy and Song Literati Politics
Datos Bibliográficos
| ID | 3965386 |
|---|---|
| Autores | Robert E Harrist, Amy Mcnair |
| Año | 2001 |
| Volumen | 121 |
| Número | 3 |
| Páginas | 509 |
| Fecha de publicación | 2001-07-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Journal of the American Oriental Society (JOURNAL) |
| Identificadores de la revista | ISSN: 0003-0279 • E-ISSN: 2169-2289 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/606694 |
| OpenAlex | W2064439312 |
| Idioma | EN |
| Citas recibidas | 11 |
Arguing for the political rather than purely aesthetic basis for Yan Zhenqing's (709-785) reputation in Chinese calligraphy, the text posits that it was due to a handful of influential and well-educated men in the 11th century, who sought advancement by associating themselves with Yans' reputation
Art · Brush · Calligraphy · Painting · Political science · Politics · Visual arts · Chinese history and philosophy · Engineering · History · Law · Mechanical Engineering
Qiu Zhijie as historian
How Does Meaning Affect the Perceived Value of Art? The Case of Chinese Calligraphy
Archaeology and Epigraphy in the Digital Era
Between Calligraphic Untranslatability and Symbolic Translatability
He Liangjun 何良俊 (1506–1573), On Painting
Building Fame Through Tea
Imagined Selves
Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
Su Shi Renders No Emotion
Bibliography of English Language Sources, 1996 – 2002
A Regional Cultural Tradition in Song China
| Obras citantes distintas | 11 |
|---|---|
| Citas por año | 0,65 |
| Intervalo de citas | 2009 - 2025 (17) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 5 |