Geographic film as public research
Re-visualizing/vitalizing a terraced landscape in the Italian Alps (Piccola terra/Small land, 2012)
Datos Bibliográficos
| ID | 3977515 |
|---|---|
| Autores | Mauro Varotto (0000-0001-5966-3691, University of Padua, autor de correspondencia), T Rossetto (0000-0002-9877-907X, University of Padua) |
| Año | 2016 |
| Volumen | 17 |
| Número | 8 |
| Páginas | 1140-1164 |
| Fecha de publicación | 2016-11-16 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Social & Cultural Geography (JOURNAL) |
| Identificadores de la revista | ISSN: 1464-9365 • E-ISSN: 1470-1197 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14649365.2016.1155731 |
| OpenAlex | W2315790129 |
| Idioma | EN |
| Citas recibidas | 3 |
| Referencias citadas | 43 |
This article describes an experience of geographic filmmaking carried out within a long-term research process (2000–2012) involving the terraced landscape of the Brenta Valley in the Italian Alps. The documentary Piccola terra [Small land] (2012) was co-produced by geographers and professional directors. Engaging in the recent debate on filmic geographies, the aim of this article is to discuss and show what makes a film ‘geographic’. The geographer authored a filmic interpretation of landscape which is spatially and temporally complex, open and mobile, anchored to material features and to personal stories and socio-economic contexts. Produced to support a campaign for the adoption of abandoned terraces by ‘new farmers’, the documentary Piccola terra serves as a means to engage society and produce landscape change. Geographic filmmaking as an action-, public- and social-oriented activity is discussed with reference to the so-called ‘impact agenda’. We propose a style of active engagement through filmmaking which is workable, rather than critical. In order to avoid purely auto-reflective, auto-referential academic speculation on doing filmic and public geographies, this paper, which ideally is read along with viewing of the documentary, materially enters the researched/filmed landscape, developing into a supplementary tool for the international dissemination of Piccola terra
Archaeology · Art history · Cartography · Filmmaking · Geographer · Geography · Media studies · Movie theater · Sociology · Geographies of human-animal interactions · Historical Geography and Geographical Thought · History · Rural development and sustainability
Beyond the third mission
The Sage Handbook of Qualitative Geography
Participatory Action Research Approaches and Methods
New Family Farmers for Abandoned Lands
Imagining Geographies of films
Public geographies through social media
Revisiting the Third Mission of Universities
Cinematic Landscapes
Geography and Public Policy
Public geographies
Public geographies II
Instead of Radical Geography, How About Caring Geography
L'agriculture dans les zones périurbaines du sillon alpin
L'agriculteur, la ruralité et le géographe
Telling small stories
Introducing the concept of tactile space
Engaging Film
Reflections on a participatory documentary process
Geographies of impact
Visualising the visceral
Is an Ethnographic Film a Filmic Ethnography
Emancipation or workability
Transcendent Ethnography
Videographic geographies
Terraced Landscapes as a Cultural and Natural Heritage Resource
Urban Explorers
Listen with Your Eyes; Towards a Filmic Geography
The spatial practice of public engagement
Misunderstanding the notion of conservation in the Philippine rice terraces - cultural landscapes
Sensible Politics
Developing skill, developing vision - practices of locality at the foot of the Alps
Liquid city
Collaborative film-making as process, method and text in mental health research
Putting Belonging into Place
Introduction to Special Issue
Embodiment of the Gaze
| Obras citantes distintas | 3 |
|---|---|
| Citas por año | 0,5 |
| Intervalo de citas | 2020 - 2025 (6) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |