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Chiasmus andaprès-coup

Andalusia as trauma in Rachid Boudjedra'sLa Prise de Gibraltar

Datos Bibliográficos

ID3979296
AutoresEdwige Tamalet Talbayev (0009-0008-8564-0248, Tulane University, autor de correspondencia)
Año2018
Volumen23
Número1-2
Páginas90-108
Fecha de publicación2018-03-15
Open AccessNo
TipoARTICLE
RevistaThe Journal of North African Studies (JOURNAL)
Identificadores de la revistaISSN: 1362-9387 • E-ISSN: 1743-9345
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13629387.2018.1400242
OpenAlexW2769176426
IdiomaEN
Referencias citadas11

Critical readings of Rachid Boudjedra’s 1986 novel La Prise de Gibraltar have invariably emphasised the text’s fictionalisation of history and its debunking of foundational myths. Yet the novel’s reliance on the mythopoetic trope of al-Andalus has surprisingly received little attention. This article restores the mythical recording and affective resignification of Ṭāriq Ibn Ziyād’s 711 Andalusian conquest to the core of the novel’s take on historicity. Abdelkebir Khatibi’s reflections on the trope of al-Andalus have taught us that all engagements with the Andalusian past bear the indelible mark of trauma. Building on Khatibi’s concept of al-Andalus as ‘traumatic chiasmus’, I trace the deep-time resonance of Ṭāriq Ibn Ziyād’s conquest of Spain through its juxtaposition with the novel’s second traumatic episode – the women’s insurrection against the French in Constantine in 1955, an event that indirectly causes the narrator Tarik’s post-traumatic thyroid-related obesity. Beyond this bodily manifestation, I argue that the novel stages a post-traumatic form of historical consciousness rooted in the wound (trauma in Greek) constituted by the conquest of Gibraltar as ‘phantasme central’ (92). This wounded mode of historical existence produces a meandering aesthetics inflecting Boudjedra’s historiographical model – a mode of writing-in-mourning, whose recording of the past is remarkable for eluding the historical event. Instead favouring the retrospective, affective vision of après-coup (Jean Laplanche), Boudjedra delineates a reflective apprehension of history. This vision hinges on the repetitive concatenation of moments of trauma, which excavates the intrinsic violence of myth and its mystifying ends; it also complicates postcolonial incarnations of time and historical existence

Art · Historicity (philosophy · Historiography · Literature · Politics · Trope (literature · Caribbean and African Literature and Culture · French Literature and Critical Theory · History

  • Trauma

    Cathy Caruth•Trauma•1995

  • The Generation of Postmemory

    Marianne Hirsch•The Generation of Postmemory•2012

  • Representing and Remembering al-Andalus

    Justin Stearns•Medieval Encounters•2009

  • Boudjedra et le roman de l'histoire

    Yann Venner•L' esprit créateur/ L' Esprit…•2001

  • Nostalgia, Arab Nationalism, and The Andalusian Chronotope in the Evolution of the Modern Arabic Novel

    William Granara•Journal of Arabic Literature•2005

  • Poetics of relation

    Édouard Glissant, Betsy Wing•Poetics of relation•1997

Altamente citadoNo
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