Forging a Cosmopolitan Ideal
Mario Lavista's Early Music
Datos Bibliográficos
| ID | 3979786 |
|---|---|
| Autores | Ana R Alonso-Minutti (autor de correspondencia) |
| Año | 2014 |
| Volumen | 35 |
| Número | 2 |
| Páginas | 169-196 |
| Fecha de publicación | 2014-12-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Latin American Music Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Editorial | Project MUSE (PUBLISHER • US) |
| DOI | 10.7560/lamr35201 |
| OpenAlex | W2149968383 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 2 |
During the second half of the twentieth century a group of Mexican composers was consciously avoiding nationalist models that had been carried over from the time of the Revolution (1910–1920s), instead favoring an “international avant-garde.” For Mario Lavista (b. 1943), this turn was accompanied by a cosmopolitan ideal—a site in which he could navigate among the expectations placed on him by a consolidated artistic and intellectual elite. In focusing on his works from the late 1960s and early 1970s, my intention is to show how this cosmopolitan ideal informed Lavista's compositional decisions and how it played a role in the establishment of his public persona
Aesthetics · Art · Art history · Cosmopolitanism · Elite · Humanities · Nationalism · Persona · Political science · Politics · Sociology · Diverse Musicological Studies · History · Law · Music History and Culture · Musicology and Musical Analysis
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,33 |
| Intervalo de citas | 2023 - 2023 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |