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Músicos y tambores en la etnomusicología de la transculturación

Fernando Ortiz, los tamboreros de Regla y la etnografía afrocubana

Datos Bibliográficos

ID3980077
AutoresJ Pavez Ojeda (0000-0003-0685-2290, autor de correspondencia)
Año2016
Volumen37
Número2
Páginas208-238
Fecha de publicación2016-12-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaLatin American Music Review (JOURNAL)
Identificadores de la revistaISSN: 0163-0350 • E-ISSN: 1536-0199
EditorialProject MUSE (PUBLISHER • US)
DOI10.7560/lamr37203
OpenAlexW2554392613
IdiomaES
Citas recibidas3
Referencias citadas24

In this article I study the form of production of the “ethnographic authority” in the musicological work of Fernando Ortiz, founding author of an ethnological narrative for the Cuban nation, in which Afro-Cuban music occupies a central place. In this way, we will be able to see the rise and inscription of the ethnographic dialogic agency—the drums and the drummers from Regla (Havana) as ethnomusicology objects and subjects—in the texts of music representation

Art · Dialogic · Ethnography · Ethnomusicology · Humanities · Literature · Musical · Narrative · Political science · Sociology · Anthropology · Cuban History and Society · History · Latin American and Latino Studies · Music History and Culture

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    Open Access•David Font-Navarrete•Religions•2021

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    Open Access•J Pavez Ojeda•Hau Journal of Ethnographic Theory•2021

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Obras citantes distintas3
Citas por año0,6
Intervalo de citas2021 - 2021 (1)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 2
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