Una nueva y gloriosa nación? Retórica y subjetividad en la Marcha patriótica rioplatense de 1813
Datos Bibliográficos
| ID | 3980202 |
|---|---|
| Autores | Bernardo Illari (autor de correspondencia) |
| Año | 2015 |
| Volumen | 36 |
| Número | 1 |
| Páginas | 1-39 |
| Fecha de publicación | 2015-06-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Latin American Music Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Editorial | Project MUSE (PUBLISHER • US) |
| DOI | 10.7560/lamr36101 |
| OpenAlex | W796847018 |
| Idioma | ES |
| Referencias citadas | 7 |
Parera and López’s 1813 Patriotic March (present-day Argentine national anthem) did not represent a yet-to-be-produced nationality but constructed it. The March passed along Enlightenment ideals cherished by certain 1810 revolutionaries while also establishing value distinctions between Patriots and Royalists, and projecting a sense of “national” unity, centered in Buenos Aires, by means of Hispanic patriotic musical topics later than 1808. Most topics reinforce the poem, yet some seemingly contradict it. They thus open a window onto the subjectivity of a composer whose agreement with his work does not seem complete and whose positioning vis-à-vis the “new nation” of which he sings is ambivalent
Ambivalence · Anthem · Art · Art history · Enlightenment · Epistemology · Humanities · Literature · Musical · Nationalism · Nationality · Poetry · Political science · Subjectivity · Theology · Historical Influence and Diplomacy · History · Law · Philosophy · Spanish Literature and Culture Studies
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |