Sensuous Abstraction
Hip-Hop, Money and the Popular
Datos Bibliográficos
| ID | 3984397 |
|---|---|
| Autores | Paul Rekret (0000-0001-9022-5817, University of Westminster, autor de correspondencia) |
| Año | 2025 |
| Volumen | 19 |
| Número | 1 |
| Páginas | 1-15 |
| Fecha de publicación | 2025-09-22 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal of Cultural Economy (JOURNAL) |
| Identificadores de la revista | ISSN: 1753-0350 • E-ISSN: 1753-0369 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/17530350.2025.2524535 |
| OpenAlex | W4414492174 |
| Idioma | EN |
| Referencias citadas | 30 |
Government (linguistics · Cultural Industries and Urban Development · Gender, Feminism, and Media · Music History and Culture
Business Innovation and Disruption in the Music Industry
Shake it, Baby, Shake it
The Global Jukebox
The Music Business and Rap
Hip-hop
Hip hop entrepreneurship
Sold out on soul
Reading Billboard 1979–89
Why White Kids Love Hip‐Hop
Hip-Hop & the Global Imprint of a Black Cultural Form
Prophets of the Hood
Hip-Hop Honeys and Da Hustlaz
Hip-Hop Culture in a Global Context
Giuliani Time
Black Noise
Family Values
Culture and Finance Capital
How to Make Money with Words
Monetized time-space
Bootstrap capitalism and the culture industries
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |