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The Camera and the Cattle

Bovine Photography and Technologies of "Improvement" in Colonial South India

Datos Bibliográficos

ID4020199
AutoresDavid Arnold (0000-0002-8781-4095, autor de correspondencia)
Año2023
Volumen64
Número4
Páginas1045-1070
Fecha de publicación2023-10-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaTechnology and Culture (JOURNAL)
Identificadores de la revistaISSN: 0040-165X • E-ISSN: 1097-3729
EditorialProject MUSE (PUBLISHER • US)
DOI10.1353/tech.2023.a910994
PMID38588179
OpenAlexW4388305507
IdiomaEN
Citas recibidas2

Photography, also an innovative technology at the time, engaged with two interconnected bovine technologies in late nineteenth and early twentieth century India: cattle as the animal power behind other agrarian technologies and cattle breeding. The Ongole cattle of Nellore district in south India, ancestors of the internationally renowned zebu cattle, were famed for their beauty, their strength as haulage and tillage animals, and their milk yields. Along with other Indian breeds, they were systematically photographed, beginning with the 1865 Addanki cattle show. This article examines the role of bovine photography as an agent of technological change in relation to the transition from a local cattle-raising culture through provincial "improvement" schemes to a pantropical market for Ongoles. It reflects on the racial discourse of animal breeds and its intersection with colonial-era ideas of bovine "degeneration" and "improvement," while highlighting the importance of cattle fairs and experimental farms

Agrarian society · Agriculture · Animal science · Archaeology · Art · Beef Cattle · Biology · Colonialism · Geography · Livestock · Pantropical · Photography · Visual arts · Zebu · Animal Disease Management and Epidemiology · Ecology

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Obras citantes distintas2
Citas por año2
Intervalo de citas2025 - 2026 (2)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 1
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