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Somaesthetics and Burke's Sublime

Datos Bibliográficos

ID4160657
AutoresRichard Shusterman (0000-0002-0467-9781, Florida Atlantic University, autor de correspondencia)
Año2005
Volumen45
Número4
Páginas323-341
Fecha de publicación2005-10-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaThe British Journal of Aesthetics (JOURNAL)
Identificadores de la revistaISSN: 0007-0904 • E-ISSN: 1468-2842
EditorialOxford University Press (PUBLISHER • GB)
DOI10.1093/aesthj/ayi047
OpenAlexW2087508884
IdiomaEN
Citas recibidas8

Burke is an important exception to Nietzsche's claim that philosophical aesthetics ignores physiology and the role of practical interest. Grounded on the powerful interest of survival, Burke's theory of the sublime also offers a physiological explanation of our feelings of sublimity that explicitly defines certain conditions of our nerves as the ‘efficient cause’ of such feelings. While his general account of sublimity is widely appreciated, its somatic dimension has been dismissed as hopelessly misguided. In examining Burke's views in relation to contemporary somaesthetics, cognitive psychology, and physiology, this paper shows that though Burke's somatic arguments can be criticized as overly simplistic and mechanistic, his recognition of the crucial bodily dimensions of aesthetic experience should be taken more seriously. In refining Burke's insight that bodily factors can help explain our aesthetic reactions, somaesthetics further urges that improved somatic understanding and performance can provide valuable means for enhancing our aesthetic response

Aesthetics · Cognition · Cognitive psychology · Cognitive science · Dimension (graph theory · Epistemology · Feeling · Relation (database · Sublime · Computer Science · Ethics, Aesthetics, and Art · Neuroscience · Philosophy · Psychology · Visual Culture and Art Theory

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Obras citantes distintas8
Citas por año0,57
Intervalo de citas2012 - 2025 (14)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 8
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