Film and the communication of values
Datos Bibliográficos
| ID | 4180889 |
|---|---|
| Autores | I C Jarvie (autor de correspondencia) |
| Año | 1969 |
| Volumen | 10 |
| Número | 2 |
| Páginas | 205-219 |
| Fecha de publicación | 1969-11-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | European Journal of Sociology (JOURNAL) |
| Identificadores de la revista | ISSN: 0003-9756 • E-ISSN: 1474-0583 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s000397560000182x |
| OpenAlex | W2159801819 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 3 |
Viewing a movie can often be a powerful experience, leaving a deep impression. Particularly when that experience is worrying or upsetting, it may challenge people's values. This leads one to question what values movies have, where they acquire them, and whether they are (e.g. inadvertently) making propaganda for violence
Advertising · Aesthetics · Art · Business · Impression · Italian Fascism and Post-war Society · Psychology · Social Psychology
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |