Os Objetos Da Sublimação
Datos Bibliográficos
| ID | 4183115 |
|---|---|
| Autores | Raul Antelo (0000-0001-9799-6550, Universidade Federal de Santa Catarina, autor de correspondencia) |
| Año | 2007 |
| Número | 10 |
| Páginas | 167 |
| Fecha de publicación | 2007-12-06 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Literatura e Sociedade (JOURNAL) |
| Identificadores de la revista | ISSN: 1413-2982 • E-ISSN: 2237-1184 |
| Editorial | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2237-1184.v0i10p167-182 |
| OpenAlex | W2023881346 |
| Idioma | PT |
The object a names an irreducible internal limit to the powers of formalism. The part a inscribes itself in logic, in as much as it is extimate, that is to say that a means the informalisable of structure. The a is not the product of an articulated structure, but the product of a fragmented body. Besides the natural objects a Lacan has also pointed out the objects of sublimation, those objects that fill the place of the object as lost object, which cometo the place of the Thing. In a similar way, Duchamp ́s genius was to show that art must be recognized in a context
Art · Art history · Genius · Psychoanalysis · Visual arts · Computer Science · Linguistics and Language Studies · Literature, Culture, and Criticism · Psychology · Psychology and Mental Health · Artificial Intelligence
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |