Letters, 1972-1973
Datos Bibliográficos
| ID | 4299934 |
|---|---|
| Autores | Hubert Damisch (Cornell University), Meyer Schapiro |
| Año | 2019 |
| Volumen | 167 |
| Páginas | 25-123 |
| Fecha de publicación | 2019-02-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | October (JOURNAL) |
| Identificadores de la revista | ISSN: 0162-2870 • E-ISSN: 1536-013X |
| Editorial | The MIT Press (PUBLISHER • US) |
| DOI | 10.1162/octo_a_00337 |
| OpenAlex | W2918767312 |
| Idioma | EN |
| Referencias citadas | 12 |
Between January 1972 and December 1973 French art-historian/philosopher Hubert Damisch and American art-historian Meyer Schapiro exchanged forty-four letters. During this short period, the two scholars discussed many issues concerning the state of art history and its relationship to semiotics and psychoanalysis. A recurring topic was Freud's famous lapse of memory concerning the name of the Renaissance artist Luca Signorelli-what to make of the lapsus in art-historical terms and how to make use of it in analyzing Signorelli's cycle of frescoes at the Cathedral of Orvieto in Italy. Damisch was then beginning to work on a book devoted to the subject while Schapiro was writing a small essay on the topic
Aesthetics · Art · Art history · Epistemology · Fresco · Literature · Painting · Period (music · Semiotics · State (computer science · Subject (documents · The Renaissance · Archaeological Research and Protection · Computer Science · Digital and Traditional Archives Management · Digital Humanities and Scholarship · Philosophy
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |