What kind of music
Datos Bibliográficos
| ID | 4304841 |
|---|---|
| Autores | Franco Fabbri (autor de correspondencia) |
| Año | 1982 |
| Volumen | 2 |
| Páginas | 131-143 |
| Fecha de publicación | 1982-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Popular Music (JOURNAL) |
| Identificadores de la revista | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143000001264 |
| OpenAlex | W2045409744 |
| Idioma | EN |
| Citas recibidas | 16 |
What kind of music?' This question has been put to me by hundreds of people, always for different reasons: by fellow train passengers who want to know what I do; by hi-fi dealers anxious to advise on the right type of speakers for listening to my record collection; in record shops when I enquire about the latest releases; by theatre managers when I have asked to hire their premises for a concert; by a young spectator while I am tuning up my '63 Stratocaster; by other musicians when I have asked to join a group; by civil servants responding to my application for a state grant; by sound engineers when I have hired a recording studio or amplification system; by the RAI* when I have proposed programmes or when I am engaged as a guitarist and they want to determine how much I should be paid; by policemen and frontier guards throughout Europe when I go through customs with my instruments and identity card on which is written: 'Profession: Musician
Active listening · Advertising · Aesthetics · Art · Business · Identity (music · Media studies · Political science · Public relations · Sociology · State (computer science · Studio · Visual arts · Communication · Computer Science · Diverse Musicological Studies · History · Psychology
Categorically Speaking
Genres, Subgenres, Sub-Subgenres and More
Everyday I Write the Book
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming
The problem of genre explosion
"Authority" Revisited
"Argentina's "Rock Nacional
Walk Hard
Nation, authenticity and social difference in Australian popular music
The musical soundscape as a contest area
Questions of style
What's behind the 'K'? Common audio features of Korean popular music before and after the rise of K-POP
The Ontology and Aesthetics of Genre
Assembling Hyperpop
The Rosalía Polemic
In the Blood
| Obras citantes distintas | 16 |
|---|---|
| Citas por año | 0,4 |
| Intervalo de citas | 1986 - 2026 (41) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 15 |