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What kind of music

Datos Bibliográficos

ID4304841
AutoresFranco Fabbri (autor de correspondencia)
Año1982
Volumen2
Páginas131-143
Fecha de publicación1982-01-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaPopular Music (JOURNAL)
Identificadores de la revistaISSN: 0261-1430 • E-ISSN: 1474-0095
EditorialCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143000001264
OpenAlexW2045409744
IdiomaEN
Citas recibidas16

What kind of music?' This question has been put to me by hundreds of people, always for different reasons: by fellow train passengers who want to know what I do; by hi-fi dealers anxious to advise on the right type of speakers for listening to my record collection; in record shops when I enquire about the latest releases; by theatre managers when I have asked to hire their premises for a concert; by a young spectator while I am tuning up my '63 Stratocaster; by other musicians when I have asked to join a group; by civil servants responding to my application for a state grant; by sound engineers when I have hired a recording studio or amplification system; by the RAI* when I have proposed programmes or when I am engaged as a guitarist and they want to determine how much I should be paid; by policemen and frontier guards throughout Europe when I go through customs with my instruments and identity card on which is written: 'Profession: Musician

Active listening · Advertising · Aesthetics · Art · Business · Identity (music · Media studies · Political science · Public relations · Sociology · State (computer science · Studio · Visual arts · Communication · Computer Science · Diverse Musicological Studies · History · Psychology

  • Categorically Speaking

    Heather Sparling•Ethnomusicology•2008

  • Genres, Subgenres, Sub-Subgenres and More

    Open Access•Kembrew Mcleod•Journal of Popular Music Studies•2001

  • Everyday I Write the Book

    Open Access•Gilbert B Rodman•Journal of Popular Music Studies•2006

  • The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming

    Open Access•Veronika Muchitsch, A Werner•twentieth-century music•2024

  • The problem of genre explosion

    Eddie Malone, Evan Malone•Inquiry•2026

  • "Authority" Revisited

    Line Grenier, Jocelyne Guilbault•Ethnomusicology•1990

  • "Argentina's "Rock Nacional

    P Vila•Latin American Music Review•1989

  • Walk Hard

    Penny Spirou•Comedy Studies•2014

  • Nation, authenticity and social difference in Australian popular music

    Graeme Smith, Judith Brett•Journal of Australian Studies•1998

  • The musical soundscape as a contest area

    Open Access•Motti Regev•Media Culture & Society•1986

  • Questions of style

    Open Access•Tony Mitchell•Popular Music•1995

  • What's behind the 'K'? Common audio features of Korean popular music before and after the rise of K-POP

    Open Access•Sébastien Miroudot•Popular Music•2024

  • The Ontology and Aesthetics of Genre

    Open Access•Eddie Malone, Evan Malone•Philosophy Compass•2024

  • Assembling Hyperpop

    Open Access•Eliot Bates, Sophie Delphi et al.•Cultural Sociology•2024

  • The Rosalía Polemic

    Peter Manuel•Ethnomusicology•2021

  • In the Blood

    Open Access•Jo Haynes•Cultural Sociology•2010

Obras citantes distintas16
Citas por año0,4
Intervalo de citas1986 - 2026 (41)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 15
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