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The Iconographic Couple of St Michael as Weigher of Souls and the Protecting Virgin

A Visual Formula as a Marker and Maker of Medieval Sacred Space

Datos Bibliográficos

ID4313402
AutoresMihnea Alexandru Mihail (0000-0002-3485-5432, Bucharest National University of Arts, autor de correspondencia)
Año2025
Volumen16
Número6
Páginas749
Fecha de publicación2025-06-10
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaReligions (JOURNAL)
Identificadores de la revistaISSN: 2077-1444 • E-ISSN: 2077-1444
EditorialMDPI AG (PUBLISHER • IT)
DOI10.3390/rel16060749
OpenAlexW4411187136
IdiomaEN
Referencias citadas11

This research addresses the formula linking between Michael the Archangel and the Holy Virgin in the wall paintings from fourteenth-century parish churches in the Hungarian Kingdom. This starts from the murals that join together between the figure of St. Michael in the act of psychostasis, as the weigher of souls, and Mary, with the mantle, represented with her all-embracing cloak, and it investigates the spatial implications between St. Michael and Mary

Art · Linguistics · Literature · Byzantine Studies and History · Historical and Religious Studies of Rome · Medieval Literature and History · Philosophy

  • D’un jugement à l’autre

    Marcello Angheben•D'un Jugement a L'autre : La…•2013

  • Les «doublets» en hagiographie latine

    Baudouin de Gaiffier•Analecta Bollandiana•1978

  • Jugement de l'âme, Jugement dernier

    Jérôme Baschet•Revue Mabillon•1995

  • Iconology of Charity

    Ivan Gerát, Gerat I•Iconology of Charity•2020

  • Une image à deux temps. Jugement Dernier et jugement des âmes au Moyen Age

    Open Access•Jérôme Baschet•Images re-vues•2008

  • Mary or Michael? Saint-Switching, Gender, and Sanctity in a Medieval Miracle of Childbirth

    Open Access•Katherine Allen Smith•Church History•2005

Velocidad de citaciónhistorical
Altamente citadoNo

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