You have got such a beautiful symphony in front of you!' Use and resistance to mobile music devices among adventurers
Datos Bibliográficos
| ID | 4330095 |
|---|---|
| Autores | Sarah Maslen (0000-0002-9215-6103, University of Canberra, autor de correspondencia) |
| Año | 2022 |
| Volumen | 92 |
| Páginas | 101640 |
| Fecha de publicación | 2022-06-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Poetics (JOURNAL) |
| Identificadores de la revista | ISSN: 0304-422X • E-ISSN: 1872-7514 |
| Editorial | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.poetic.2021.101640 |
| OpenAlex | W4200228793 |
| Idioma | EN |
| Citas recibidas | 2 |
| Referencias citadas | 24 |
Active listening · Adventure · Aesthetics · Art · Art history · Boredom · Embodied cognition · Literature · Sociology · Symphony · Visual arts · Communication · Computer Science · History · Innovative Human-Technology Interaction · Music History and Culture · Psychology · Radio, Podcasts, and Digital Media · Social Psychology
Alone together
The Possibilities of Society
Effects of music in exercise and sport
Mastering the jazz standard
Playing in the bush
Golden Ears and Meter Readers
A Song of the Paddle
Quiet enjoyment in the National Parks of England and Wales
We don’t need no stinking smartphones!’ Live stadium sports events, mediatization, and the non-use of mobile media
Media life
A theory of place in North American mountaineering
How Users Matter
The Sociology of Georg Simmel
The 'spirit of the hills
The Trouble with Wilderness
My music, my world
The Perception of the Environment
A Place of Sense
Acoustics of the one person space
Tuning Out' or 'Tuning in'? Mobile Music Listening and Intensified Encounters with the City
The plural iPod
Music as a resource for the sexual self
Those Things That Hold Us Together
Street Phenomenology
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 0,5 |
| Intervalo de citas | 2022 - 2025 (4) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 2 |