So you think you can play with me' - Louis Moholo-Moholo and the semiotics of freedom
Datos Bibliográficos
| ID | 4358295 |
|---|---|
| Autores | Ana Deumert (0000-0002-0199-8955), Nkululeko Mabandla |
| Año | 2025 |
| Volumen | 105 |
| Páginas | 94-105 |
| Fecha de publicación | 2025-11-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Language & Communication (JOURNAL) |
| Identificadores de la revista | ISSN: 0271-5309 • E-ISSN: 1873-3395 |
| Editorial | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.langcom.2025.09.008 |
| OpenAlex | W4414398470 |
| Idioma | EN |
| Referencias citadas | 33 |
African history and culture studies · Multilingual Education and Policy · Postcolonial and Cultural Literary Studies
Noise
In the break
Freedom dreams
The International Encyclopedia of Linguistic Anthropology
Sounding Islam
The Oxford Handbook of Critical Concepts in Music Theory
Linguistics in a Minor Key—Of Atmospheres, Voice(s), and Ethics
Music and discourse
Posthumanist Performativity
How Forests Think
Free Jazz
The Blue Notes
A-signifying semiotics and deaf/nondeaf becomings
Pondo Blue(s)
Echoes From Africa
Umngqokolo
White freedom
Why Jazz? South Africa 2019
Different DrummersRhythm and Race in the Americas
Sensing Sound
Musical feelings and affective politics
Analysing Popular Music
The Political Force of Musical Actants
Rhythm, or On Sylvia Wynter's Science of the Word
Conversing with Ourselves
Unsettling the Coloniality of Being/Power/Truth/Freedom
The Invention of African Rhythm
Necropolitics
The Semiotics of Cooperation
Why Did Adorno 'Hate' Jazz
The Affectiveness of Symbols
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |