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Shklovsky'sostranenie, Bakhtin'svnenakhodimost'(How Distance Serves an Aesthetics of Arousal Differently from an Aesthetics Based on Pain)

Datos Bibliográficos

ID4375402
AutoresCharles Emerson (0009-0005-2182-2323, autor de correspondencia), Caryl Emerson
Año2005
Volumen26
Número4
Páginas637-664
Fecha de publicación2005-12-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaPoetics Today (JOURNAL)
Identificadores de la revistaISSN: 0333-5372 • E-ISSN: 1527-5507
EditorialDuke University Press (PUBLISHER • US)
DOI10.1215/03335372-26-4-637
OpenAlexW2157409532
IdiomaEN
Citas recibidas8
Referencias citadas6

As literary critics and language theorists, Viktor Shklovsky and Mikhail Bakhtin each utilize "aesthetic distance" in an unconventional way-unrelated, it would seem, to the usual aesthetic criteria of beauty, goodness, or truth. For the Formalist Shklovsky, the distancing or estrangement of an object sharpens our perception and stimulates our senses, thereby arousing us to artistic (as opposed to drably everyday) experience. For the dialogic Bakhtin, the mandate to "be outside" that which you create is a matter of subject-subject relations, not subject-object. This essay considers only one aspect of this intersection: the role of pain (the hurting body as the norm) in these two aesthetic economies, Shklovsky's and Bakhtin's

Aesthetics · Art · Beauty · Dialogic · Distancing · Epistemology · Linguistics · Perception · Narrative Theory and Analysis · Philosophy · Philosophy, Ethics, and Existentialism · Russian Literature and Bakhtin Studies

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Obras citantes distintas8
Citas por año0,4
Intervalo de citas2006 - 2021 (16)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 8
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