Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

What Are (Breton's) Women for

Datos Bibliográficos

ID4387002
AutoresVanessa Kaufmann (0000-0001-9927-8333), Vincent Kaufmann, Sally Silk, Sally M Silk
Año1987
Volumen16
Número3
Páginas57
Fecha de publicación1987-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaSubStance (JOURNAL)
Identificadores de la revistaISSN: 0049-2426 • E-ISSN: 1527-2095
EditorialProject MUSE (PUBLISHER • US)
DOI10.2307/3685197
OpenAlexW2076586006
IdiomaEN
Citas recibidas2

revolutionary action (to change life, transform society). One can see in this contradiction the source of its paradoxical glory (surrealism will survive in spite of suggesting once and for all the conditions for a revolutionary art). But one also sees here the cause of surrealism's downfall, betrayed as much by those who preferred their own work as by those who subordinated their work to political engagement. Whichever the case, only Breton would have understood the seriousness of this conflict; only Breton would have remained faithful to an ethic: surrealism is Breton, all Breton, and nothing but Breton. This is certainly ironic, for he who is recognized for his desire not to succeed is in the the only name that still remains. Should one conclude then that Breton has been retrieved thanks to the wiles of History? I don't believe so (and don't know, moreover, what the term retrieve really means, nor what an unretrieved artistic practice would look like), and I would like to demonstrate that Breton's is a thoroughly bookish operation, one of transmission that requires the book itself in order to be made manifest. I don't mean to say that Breton's hidden desire, like that of all writers, was for his books to be found later on in a library, even if this turns out to be an inevitable result of his endeavors. The act of transmission envisaged here is intended to be absolute. It exists beyond the book, although the book itself must necessarily remain. Disqualified as an end in itself, the work of art remains behind as the indispensable witness of an activity of transmission that appears to be situated outside the work: in a place wherein lies the ethic proper to surrealism, and in which I see a version of Mallarme's complete book (that is to say, perhaps nothing) marked, no doubt, by a misreading. In any case, one finds in Breton considerable fascination for an immediate and totally efficient discourse that represents a pure effect of

Aesthetics · Art · Contradiction · Epistemology · Glory · Literature · Nothing · Order (exchange) · Political science · Politics · Seriousness · Sociology · French Historical and Cultural Studies · Historical Studies and Socio-cultural Analysis · History · Law · Medieval European Literature and History · Philosophy

  • André Breton's and Eugène Atget's Valentines

    Andrea Loselle•SubStance•2009

  • Woman as ‘Other’

    Open Access•Haaris Amir Herzog•International Journal of Art and…•2025

Obras citantes distintas2
Citas por año0,12
Intervalo de citas2009 - 2025 (17)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 1
Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae