Music and Identity in Paraguay
Expressing National, Racial and Class Identity in Guitar Music Culture
Datos Bibliográficos
| ID | 4408696 |
|---|---|
| Autores | Simone Krüger Bridge (0000-0001-8587-5719, autor de correspondencia) |
| Año | 2022 |
| Volumen | 147 |
| Número | 1 |
| Páginas | 1-49 |
| Fecha de publicación | 2022-05-01 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal of the Royal Musical Association (JOURNAL) |
| Identificadores de la revista | ISSN: 0269-0403 • E-ISSN: 1471-6933 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/rma.2022.11 |
| OpenAlex | W4226073235 |
| Idioma | EN |
| Citas recibidas | 2 |
| Referencias citadas | 10 |
This article illustrates, with particular focus on Rolando Chaparro's rock fusion albumBohemio(2011), the way in which music operates in expressing Paraguayan national, racial and class identity. It first reviews the literature on music and identity generally, as well as more specifically in relation to Paraguay. It then explores expressions of nationalism andparaguayidad(Paraguayanness) in folkloric 'popular' musics (música popular) and the concept ofraza guaraní(a widespread belief in a common ancestry based on Spanish and Guaraní ethnic identity) in the construction, maintenance and expression of identity. Finally, it examines the Agustín Barrios revivals in Paraguay and people's class consciousness as it is expressed in Paraguayan guitar music culture
Acoustics · Aesthetics · Art · Consciousness · Cultural identity · Ethnic group · Folk music · Folklore · Guitar · Literature · Musical · National identity · Nationalism · Political science · Politics · Popular music · Social science · Sociology · Anthropology · Computer Science · Diverse Musicological Studies · Gender Studies · Indigenous Cultures and History · Law · Multilingual Education and Policy · Psychology
| Citas por año | 1 |
|---|---|
| Intervalo de citas | 2024 - 2026 (3) |
| Altamente citado | No |