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Towards a grande paradigmatique of film

Christian Metz reloaded

Datos Bibliográficos

ID4473473
AutoresJohn A Bateman (0000-0002-7209-9295, autor de correspondencia)
Año2007
Volumen2007
Número167
Fecha de publicación2007-01-20
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaSemiotica (JOURNAL)
Identificadores de la revistaISSN: 0037-1998 • E-ISSN: 1613-3692
EditorialWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/sem.2007.070
OpenAlexW2010296283
IdiomaEN
Citas recibidas27
Referencias citadas5

This paper synthesizes and extends all previous accounts of filmic montage made within the broadly Metzian semiotic tradition in order to demonstrate that the semiotics of film and of verbal language share major features of their organization. Drawing on recent advances in formal and functional linguistic discourse semantics, the paper provides an analysis scheme that supports a film-as-discourse perspective along both the syntagmatic and paradigmatic axes of semiotic description. Previous approaches are shown to have been restricted to views of compositional semantics only appropriate for syntax. This has compromised their effectiveness for providing an appropriate empirical basis for investigating film

Epistemology · Linguistics · Perspective (graphical) · Semantics (computer science) · Semiotics · Sociology · Syntagmatic analysis · Syntax · Artificial Intelligence · Computer Science · Language, Metaphor, and Cognition · Linguistics and Discourse Analysis · Philosophy · Semiotics and Representation Studies

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    Open Access•Felix Nwabeze Ogoanah, Fredrick Osaro Ojo•European Journal of Humour Research•2018

  • The impact of multimodal cohesion on attention and interpretation in film

    Open Access•Chiao-I Tseng, Jochen Laubrock et al.•Discourse Context & Media•2021

  • Multimodal narrative construction in Christopher Nolan’s Memento a description of analytic method

    Open Access•Chiao-I Tseng, Chiaoi Tseng et al.•Visual Communication•2012

  • Emotion prosody and viewer engagement in film narrative

    Feng William Dezheng, Dezheng Feng et al.•Narrative Inquiry•2014

  • A multimodal discourse theory of visual narrative

    Open Access•John A Bateman, Janina Wildfeuer•Journal of Pragmatics•2014

  • The Inferential Semantics of Comics

    Janina Wildfeuer•Poetics Today•2019

  • Multimodality and Materiality

    John A Bateman•Poetics Today•2019

  • Revisiting dynamic space in film from a semiotic perspective

    Open Access•Chiao-I Tseng•Semiotica•2016

  • Bateman, John

    Open Access•Chiao-I Tseng, Chiaoi Tseng•Encyclopedia of Applied Linguistics•2026

  • The fragmentation and plasticity of space in film

    Open Access•Chiao-I Tseng, T Van Leeuwen et al.•Multimodality & Society•2025

  • A Supercut of Supercuts

    Open Access•Max Tohline•Open Screens•2021

  • Semiotics of “Top Gun

    Open Access•Ririt Yuniar, Diah Fitria Ningrum et al.•Journal of Urban Society s Arts•2023

  • Multimodal cohesion and viewers' comprehension of scene transitions in film

    Open Access•Dayana Markhabayeva, Chiao-I Tseng•Frontiers in Communication•2024

  • Children’s comprehension of time in audiovisual narratives

    Open Access•Chiao-I Tseng, Emilia Djonov•Linguistics and Education•2023

  • Intradisciplinarity

    Open Access•J R Martins, J R Martin•Frontiers in Communication•2024

  • How films convey meaning through alternating structures (with an illustrative analysis of The Sunbeam)

    Open Access•Karl-Heinrich Schmidt•Frontiers in Communication•2024

  • Socialiseresponsibly. Analyzing the Rhetorical Structure of Heineken TV Commercials During the Pandemic

    Open Access•Janina Wildfeuer, Joseph Adika Coffie•Frontiers in Communication•2022

  • A Methodological Framework for Projecting Brand Equity

    Open Access•George Rossolatos•Qualitative Report•2014

  • Beyond the media boundaries

    Open Access•Chiao-I Tseng•Discourse Context & Media•2017

  • Analysing multimodality in an interactive digital environment

    Bradley A Smith, Sabine Tan et al.•Social Semiotics•2011

  • Picture–text congruence in translation

    Hailing Yu, Zhongwei Song•Social Semiotics•2016

  • Embodied meaning

    Open Access•J R Martins, J R Martin et al.•Functional Linguistics•2019

  • A análise do discurso fílmico sob a perspectiva textual-linguística e multimodal

    Open Access•Leonardo Antonio Soares•Revista da ABRALIN•2022

  • Performance as discourse

    Open Access•Arash Ghazvineh•Semiotica•2025

  • Narrative conjunction's junction function

    Open Access•Neil Cohn•Journal of Pragmatics•2015

  • A Multimodal Analysis of Films

    Arash Ghazvineh•Quarterly Review of Film Studies•2025

  • Reading paths and visual perception in multimodal research, psychology and brain sciences

    Open Access•Tuomo Hiippala•Journal of Pragmatics•2012

  • A system for image-text relations in new (and old) media

    Radan Martinec•Visual Communication•2005

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    T Van Leeuwen•Continuum•1991

  • The structural linguistic foundation of film semiology

    Open Access•Warren Buckland•Language & Communication•1991

  • Abductive Reasoning in Peirce's and Davidson's Account of Interpretation

    Open Access•Uwe Wirth•Semiotica•2005

  • La grande syntagmatique du film narratif

    Christian Metz•Communications•1966

Obras citantes distintas27
Citas por año1,8
Intervalo de citas2011 - 2026 (16)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 19
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