Substance is subject is style
On the speculative poetics of Gillian Rose
Datos Bibliográficos
| ID | 4481007 |
|---|---|
| Autores | Gregory Marks (0009-0008-2582-8505, La Trobe University, autor de correspondencia) |
| Año | 2025 |
| Volumen | 186 |
| Número | 1 |
| Páginas | 97-115 |
| Fecha de publicación | 2025-02-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Thesis Eleven (JOURNAL) |
| Identificadores de la revista | ISSN: 0725-5136 • E-ISSN: 1461-7455 |
| Editorial | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/07255136241312353 |
| OpenAlex | W4406335622 |
| Idioma | EN |
| Referencias citadas | 12 |
This article proposes a reading of philosopher Gillian Rose's works as predominated by the question of literary style. In contrast to Rose's professed antipathy for the linguistic and structuralist turns in 20th-century philosophy, this article contends that her thought makes recourse to distinctions of literary form (i.e. poetics) to resolve problems of philosophical expression. The contours of this poetics are traced from Rose's first works on the respectively 'ironic' and 'severe' styles of Adorno and Hegel, through to her final published work and its experimentations with the formal limitations of philosophical writing. Following Hegel's theorisation of the 'speculative proposition' as a statement of formal difference belying a conceptual unity, Rose's poetic thought is designated as a speculative poetics, which seeks a stylistic unity that does not efface the non-identity of its terms
Aesthetics · Art · Epistemology · Hegelianism · Linguistics · Literature · Poetics · Poetry · Proposition · Philosophy · Philosophy, Ethics, and Existentialism
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |