Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Alcestis on Roman Sarcophagi

Datos Bibliográficos

ID4537594
AutoresSusan Wood (autor de correspondencia)
Año1978
Volumen82
Número4
Páginas499-510
Fecha de publicación1978-10-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaAmerican Journal of Archaeology (JOURNAL)
Identificadores de la revistaISSN: 0002-9114 • E-ISSN: 1939-828X
EditorialUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/504638
OpenAlexW2331608060
IdiomaEN
Citas recibidas8
Referencias citadas1

The sarcophagus of Caius Junius Euhodus and Metilia Acte belongs to a small group of Roman sarcophagi which depict the death of Alcestis. Unlike most other members of the group, however, the Euhodus sarcophagus also portrays Alcestis's return from death in a prominent position on the front of the box. This variation in the use of the mythological theme suggests that while in most cases the story of Alcestis was chosen because of its pathos, the theme of possible triumph over death may also have appealed to some of the clients who commissioned the sarcophagi. The inscription of the Euhodus sarcophagus confirms that the couple for whom it was made subscribed to the cult of the Magna Mater, a cult which evidently did believe in the possibility of life after death. The language of symbolism on this monument, however, seems to be derived not from mystery rites but from familiar scenes of everyday life. The scene in which Alcestis is restored to her husband by Heracles bears a strong resemblance to a conventional wedding scene. Such a visual reference would underscore the theme of reunion implicit in the story of Alcestis and Admetus. Euhodus and Metilia, whose portrait faces appear on the mythological figures, expected to be united in death at least in a physical sense, since their bodies were to be interred in the same sarcophagus. In view of their religious beliefs, they may have hoped for a reunion in a life after death as well

Afterlife · Ancient history · Art · Art history · Cult · Everyday life · Literature · Mythology · Pathos · Portrait · Theme (computing · Ancient Mediterranean Archaeology and History · Archaeology and Historical Studies · Classical Antiquity Studies · History · Philosophy

  • Imitatio heroica

    Open Access•Ralf von den Hoff, Felix Heinzer et al.•Imitatio heroica•2015

  • Labor VIII

    Daniel Ogden•Oxford Handbook of Heracles•2021

  • Pro Coniuge Cara

    Beate Beer•Antike und Abendland•2020

  • In the Guise of Gods and Heroes

    Open Access•Zahra Newby•Life, Death and Representation•2010

  • Women and Society in the Roman World

    Open Access•Emily A Hemelrijk•Women and Society in the Roman…•2020

  • The Significance of the Handshake Motif in Classical Funerary Art

    Glenys Davies•American Journal of Archaeology•1985

  • "The "Getty Cybele

    Ambra Spinelli•American Journal of Archaeology•2017

  • The myth of Iphigenia in fourth-century funerary vases of southern Italy

    Open Access•Gretel Rodríguez•Res: Anthropology and Aesthetics•2022

  • Sarcophagi and Symbolism

    Arthur Darby Nock, J D Beazley•American Journal of Archaeology•1946

Obras citantes distintas8
Citas por año0,2
Intervalo de citas1985 - 2022 (38)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 8
Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae