Domitia Longina and the Politics of Portraiture

Datos Bibliográficos

ID4539211
AutoresEric R Varner (autor de correspondencia)
Año1995
Volumen99
Número2
Páginas187-206
Fecha de publicación1995-04-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaAmerican Journal of Archaeology (JOURNAL)
Identificadores de la revistaISSN: 0002-9114 • E-ISSN: 1939-828X
EditorialUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/506339
OpenAlexW2315460805
IdiomaEN
Citas recibidas14
Referencias citadas1

A reexamination of the portraits traditionally assigned to Domitia Longina reveals that they can be divided into three distinct types. Type I was created at the time of Domitia's marriage to Domitian in A.D. 70; type II at the time of Domitian's accession in A.D. 81, celebrating Domitia's new position as Augusta and consort of the Dominus et Deus; and type III after Domitian's assassination, honoring Domitia's participation in the plot to kill her husband. The portraits of Domitia attest to her enduring social and political significance

Accession · Ancient history · Art · Art history · Economics · Genealogy · Literature · Political science · Politics · Portrait · Classical Antiquity Studies · Classical Studies and Legal History · Historical and Religious Studies of Rome · History · Law