The Fabric of the World
Deleuze on Fetishism and Generative Time Images
Datos Bibliográficos
| ID | 4740752 |
|---|---|
| Autores | Laura Hengehold (Case Western Reserve University) |
| Año | 2013 |
| Volumen | 18 |
| Número | 2 |
| Páginas | 127-141 |
| Fecha de publicación | 2013-06-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Angelaki (JOURNAL) |
| Identificadores de la revista | ISSN: 0969-725X • E-ISSN: 1469-2899 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0969725x.2013.804995 |
| OpenAlex | W1573004779 |
| Idioma | EN |
| Referencias citadas | 8 |
Deleuze's attitude towards fetishistic desire reveals important ethical commitments found throughout his philosophical corpus, bridging the gap between works written alone and those co-written with Félix Guattari. This essay traces the function of the “scene” in Deleuze's writings from Coldness and Cruelty through Thousand Plateaus to Cinema 2, showing its kinship with the concepts of “flesh” and “montage” in Merleau-Ponty and Lacan, and bringing Deleuze into dialogue with feminist and queer accounts of fetishistic sexuality
Aesthetics · Art · Assemblage (archaeology · Cruelty · Death drive · Deleuze and Guattari · Fetishism · Freudian slip · Generative grammar · Human sexuality · Kinship · Linguistics · Literature · Logos Bible Software · Movie theater · Psychoanalysis · Queer · Sociology · Anthropology · Art, Politics, and Modernism · Cinema and Media Studies · French Literature and Critical Theory · Psychology · Gender Studies · History · Philosophy
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |