Performing and contesting masculinity in Derek Walcott'sPantomime

Datos Bibliográficos

ID4786226
AutoresDavid Leahy (autor de correspondencia)
Año2015
Volumen18
Número1
Páginas19-39
Fecha de publicación2015-01-02
Open AccessNo
TipoARTICLE
RevistaPostcolonial Studies (JOURNAL)
Identificadores de la revistaISSN: 1368-8790 • E-ISSN: 1466-1888
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13688790.2015.1023685
OpenAlexW1923248859
IdiomaEN

It is commonplace to read Derek Walcott's two-act play, Pantomime,1 as an allegory about postcolonial black/white relations. An excerpted diegesis by Patrick Taylor clarifies why this is the case

Art · Masculinity · Sociology · Diversity and Impact of Dance · Gender Studies · Theater, Performance, and Music History · Theatre and Performance Studies