Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

The Context of Ancient Drama

Datos Bibliográficos

ID4786975
AutoresRyan Hamilton (0000-0001-5927-9315), Richard Hamilton (0000-0002-0076-4276), Eric Csapo, William J Slater
Año1996
Volumen50
Número3/4
Páginas341
Fecha de publicación1996-01-01
Peer ReviewedSí
Open AccessNo
TipoREVIEW
RevistaPhoenix (JOURNAL)
Identificadores de la revistaISSN: 0031-8299 • E-ISSN: 1929-4883
EditorialJSTOR (PUBLISHER)
DOI10.2307/1192661
OpenAlexW2057861446
IdiomaEN

Ancient theater has always caught contemporary interest, despite the eclectic nature of the surviving evidence. Tourists wander the remains of buildings at Epidauros and Athens, and generations of people have pondered Medea and Oedipus, yet it can be surprisingly difficult to find reliable, accessible information on these plays and their theaters. The Context of Ancient Drama remedies this situation. It provides, in modern English translation, documents that illustrate all aspects of the drama of antiquity, other than the text of the dramas themselves. For convenience the material is grouped in thematic sections, such as music, or judging. The illustrations give well-known examples of the kind of evidence that has survived to us. Plans of theaters are provided, to exemplify the outlines of the buildings' development, and an extensive glossary of terms offers information to the interested amateur and the theater specialist alike. The Context of Ancient Drama will be of interest to a wide spectrum of students and teachers. Theater historians, students of dramatic performance and the visual arts, and students and teachers in literature-in-translation courses will all find much that speaks to them

Archaeology · Art · Context (archaeology) · Drama · Literature · History · Philippine History and Culture · Theater, Performance, and Music History · Theatre and Performance Studies

  • The demos in Greek tragedy

    Open Access•D M Carter•The Cambridge Classical Journal•2010

  • Interiority, the ‘Deep Earth’ and the Spatial Symbolism of Darius' Apparition in the Persians of Aeschylus

    Open Access•Emmanuela Bakola•The Cambridge Classical Journal•2014

  • Reading Women

    Allison Glazebrook•Mouseion Journal of the Classical…•2005

  • Democracy in an Age of Tragedy

    Mark Chou•Critical Horizons•2010

  • Anchoring Innovation

    Open Access•Ineke Sluiter•European Review•2016

  • Choregia and trierarchy as profit-oriented entrepreneurships

    Open Access•Joshua Günther, Felix Hahn•Constitutional Political Economy•2019

  • Performance and Iconographic Tradition in the Illustrations of Menander

    Eric Csapo•Syllecta classica•1999

  • Wild Neighbors

    Monica Florence•Syllecta classica•2003

  • Orchestra and Stage in Sophocles

    Stephen Scully•Syllecta classica•1999

  • Sport, War and Democracy in Classical Athens

    David M Pritchard, David Pritchard•The International Journal of the…•2009

  • Performance and Textuality in Aristophanes' Clouds

    Ralph Mark Rosen•Yale journal of criticism/ The…•1997

  • Clytemnestra’s Net

    Megan Shea•Journal of dramatic theory and…•2008

  • Reported Assembly Scenes in Greek Tragedy

    D M Carter•Illinois Classical Studies•2013

  • The Mockery of Madness

    Peter N Singer•Illinois Classical Studies•2018

  • Aristophanes in Greek shadow theatre

    Open Access•Dimitrios Kanellakis•Byzantine and Modern Greek Studies•2018

  • A Gander at the Goose Play

    C W Marshall•Theatre Journal•2001

  • Better to burn

    Scott Venter, Scott Venters•Theatre Journal•2018

  • Modern Visions of Greek Tragic Dancing

    Graham Ley•Theatre Journal•2003

  • Empire of the Gaze’

    Lloyd Llewellyn-Jones, Lloyd Llewellyn‐Jones•Helios•2013

  • Messengers From the Tragic Stage

    Open Access•J R Green•Bulletin of the Institute of…•1996

  • Theatre, Performance and Theatricality in Some Mosaic Pavements From Antioch

    Open Access•Janet Huskinson•Bulletin of the Institute of…•2003

  • Plautus on the Palatine

    Open Access•Sander M Goldberg•The Journal of Roman Studies•1998

  • The king and eye

    Open Access•Mark Griffith•Proceedings of the Cambridge…•1999

  • Clubfeet and Kypselids

    Open Access•Angela Ziskowski•The Annual of the British School…•2012

  • The Smell of Sophokles' Salmoneus

    Open Access•Robert Cowan•Ramus•2014

  • What is Dramatic Recitation

    Erica Bexley•Mnemosyne•2015

  • Comedy and the Satyr-Chorus

    Gregory W Dobrov•The Classical World•2007

  • A Picture Is Worth a Thousand Words

    Open Access•Gonda Van Steen•The Classical World•2018

  • Indoor and Outdoor

    Open Access•Benjamin Victor•The Classical Quarterly•2017

  • Reconsidering Euripides' Bellerophon

    Open Access•Dustin W Dixon•The Classical Quarterly•2014

  • Choral Identity in Greek Tragedy

    Helene P Foley, Helene Foley•Classical Philology•2003

  • Looking For the “Other” Gnesippus

    Lucia Prauscello•Classical Philology•2006

  • Excrement, Sacrifice, Commensality

    R L S Tordoff•Arethusa•2011

  • Sudden Song

    Claire Catenaccio•Arethusa•2017

  • Democracy's Wisdom

    Open Access•Josiah Ober•American Political Science Review•2013

  • The Poetics of the Kōmos -Chorus in Menander's Comedy

    Susan Lape•The American Journal of Philology•2006

  • Menander's Theophoroumene between Greece and Rome

    Sebastiana Nervegna•The American Journal of Philology•2010

  • Playing the Philosopher

    Matthew C Farmer•The American Journal of Philology•2017

  • Middle Comedy and the "Satyric" Style

    Carl A Shaw•The American Journal of Philology•2010

  • Timokles Satyrographos and the Abusive Satyr Play

    Matt Cohn•The American Journal of Philology•2015

  • Who "Invented" Comedy? The Ancient Candidates for the Origins of Comedy and the Visual Evidence

    Jeffrey S Rusten•The American Journal of Philology•2006

  • Herodotus, Thucydides and the sophists

    Open Access•R I Winton, RICHARD WINTON•The Cambridge History of Greek…•2000

  • Festivals and Benefactors

    Open Access•Onno M Van Nijf•Benefactors and the Polis•2021

  • Communicating Cynicism

    Open Access•Ineke Sluiter•Language and Learning•2005

  • Stoic linguistics, Plato's Cratylus , and Augustine's De dialectica

    Open Access•A A Long•Language and Learning•2005

  • Aristophanes' Frogs And the Contest of Homer and Hesiod

    Ralph Mark Rosen•Transactions of the American…•2004

  • Lucretius on what language is not

    Open Access•Catherine Atherton•Language and Learning•2005

  • Common sense

    Open Access•Charles Brittain•Language and Learning•2005

  • Varro's anti-analogist

    Open Access•David Blank•Language and Learning•2005

  • Epicurus and his predecessors on the origin of language

    Open Access•Alexander Verlinsky•Language and Learning•2005

  • The Stoics on the origin of language and the foundations of etymology

    Open Access•James Turney Allen, James Allen•Language and Learning•2005

  • Reconstructing Aristophanic Performance

    Mary C English•The Classical World•2007

  • Gender Subversion and the Early Christian East

    Open Access•Anna Foka•Laughter, Humor, and the making…•2015

  • Herodotus

    Open Access•Simon Hornblower, Christopher Pelling•Herodotus•2017

  • Performance and Identity in the Classical World

    Open Access•Anne Duncan•Performance and Identity in the…•2006

  • The Greeks and the New

    Open Access•Armand D’Angour, Armand D'Angour•Greeks and the New•2011

  • Kleisthenes, Participation, and the Dithyrambic Contests of Late Archaic and Classical Athens

    David Pritchard•Phoenix•2004

Velocidad de citaciónhistorical
Altamente citadoNo
Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae