Performing Sao Paulo
Vanguard Representations of a Brazilian Cosmopolis
Datos Bibliográficos
| ID | 4804337 |
|---|---|
| Autores | Charles A Perrone (0000-0002-8555-2482, autor de correspondencia) |
| Año | 2002 |
| Volumen | 23 |
| Número | 1 |
| Páginas | 60-78 |
| Fecha de publicación | 2002-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Latin American Music Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0163-0350 • E-ISSN: 1536-0199 |
| Editorial | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/lat.2002.0011 |
| OpenAlex | W1552935798 |
| Idioma | EN |
| Citas recibidas | 5 |
| Referencias citadas | 5 |
In the twentieth century, São Paulo experienced successive waves of development schemes, modernization, and artistic response. In the 1920s, this site of ever-increasing industrialization and urban evolution witnessed the emergence of nationalist aesthetic thought in modernismo, or Brazilian Modernism. The inaugural publication and œuvre par excellence of the combative phase of this movement was Paulicéia desvairada (1922) by Mário de Andrade. This collection of avant-garde verse initiated, with musical flair, a city/artist-in-the-city thread in Brazilian lyric that passes through other principal modernistas and finds pointed expression both in the mid-century neo-vanguard of poesia concreta and in diverse output of the later twentieth century. 1
Ancient history · Art · Art history · Excellence · Humanities · Industrialisation · Modernization theory · Nationalism · Political science · Vanguard · Arts and Performance Studies · Brazilian cultural history and politics · History · Law · Literature, Culture, and Criticism
| Obras citantes distintas | 5 |
|---|---|
| Citas por año | 0,24 |
| Intervalo de citas | 2005 - 2014 (10) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 4 |