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New Ecological Sympathies

Datos Bibliográficos

ID4831301
AutoresSusan Ballard (0000-0002-3365-1825, University of Wollongong, autor de correspondencia)
Año2017
Volumen9
Número2
Páginas255-279
Fecha de publicación2017-11-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaEnvironmental Humanities (JOURNAL)
Identificadores de la revistaISSN: 2201-1919 • E-ISSN: 2201-1919
EditorialDuke University Press (PUBLISHER • US)
DOI10.1215/22011919-4215229
OpenAlexW2783664288
IdiomaEN
Citas recibidas5
Referencias citadas14

At the turn of the previous century Henri Bergson suggested that sympathy offered a way to understand interspecies relationships. Samuel Butler took Bergson's ideas to an absurd extent by mixing them with readings of Charles Darwin and claiming a vital impulse for machines. By interspersing a story of humans and machines with insect life, Butler pointed to a broad imaginative web of interspecies and machinic relationships. Contemporary artists Pierre Huyghe, Ann Lislegaard, and Hayden Fowler use video and installation art to explore interspecies relationships in time and space. In very different ways Huyghe, Lislegaard, and Fowler use the art gallery to demonstrate how humans might sympathetically engage with ecological transformation, and thus the confronting possibility of our own extinction. In looking back at Bergson and Butler through contemporary art, I suggest that the art gallery gives us a sympathetic space in which we can encounter the knowledges of Bergson and Darwin, temper them with the imaginings of Butler, and ground them with the transformative living machines created by Huyghe, Lislegaard, and Fowler. By entering the spaces of the art gallery and locating ourselves in the place of others, sympathy read alongside machinic evolution suggests a new approach to the ecological disaster of species extinction

Aesthetics · Art · Art history · Sociology · Sympathy · Transformative learning · Environmental Philosophy and Ethics · Geographies of human-animal interactions · Philosophy · Psychedelics and Drug Studies · Psychology

  • Mirror or Hammer? News Media Coverage of Climate-Related Art

    Open Access•Ulrike Hahn, Filip Vermeylen•Environmental Communication•2023

  • Waiting for Geotropic Forces

    Open Access•Nina Williams•Qualitative Inquiry•2022

  • Extinction in Public

    Open Access•Dominic O’key•Environmental Humanities•2023

  • Does artistic activism change anything? Strategic and transformative effects of arts in anti-coal struggles in Oakland, CA

    Open Access•Teresa Sanz, Beatriz Rodríguez-Labajos•Geoforum•2021

  • Spiral Jetty, geoaesthetics, and art

    Open Access•Susan Ballard, Liz Linden•The Anthropocene Review•2019

  • Imagining Extinction

    Ursula K Heise•Imagining Extinction•2016

  • Creative evolution /

    Henri Bergson, Arthur Mitchell et al.•1911

  • A Vitalist Stopover on the Way to a New Materialism

    Open Access•Jane Bennett•New Materialisms•2010

  • A thousand plateaus

    Félix Guattari, Gilles Deleuze•A thousand plateaus•1987

  • The Force of Things

    Open Access•Jane Bennett•Political Theory•2004

  • Beyond Modern Sculpture

    Louis Vaczek, Jack Burnham•Technology and Culture•1970

  • On the Museum's Ruins

    Douglas Crimp•October•1980

  • Insectes et inceste

    Christian Kerslake•Multitudes•2006

  • Simians, Cyborgs, and Women

    Donna Haraway•Simians, Cyborgs, and Women•2013

  • What Animals Teach Us about Politics

    Brian Massumi•What Animals Teach Us about…•2014

Obras citantes distintas5
Citas por año0,71
Intervalo de citas2019 - 2023 (5)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 5
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