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A Crow Jumps on Rocks

Indigenous Approaches to Composing and Performing Text in Lao Vocal Music

Datos Bibliográficos

ID4892353
AutoresAdam Chapman (0000-0002-1704-0979, autor de correspondencia)
Año2003
Volumen35
Páginas97
Fecha de publicación2003-01-01
Open AccessNo
TipoARTICLE
RevistaYearbook for Traditional Music (JOURNAL)
Identificadores de la revistaISSN: 0740-1558 • E-ISSN: 2304-3857
EditorialJSTOR (PUBLISHER)
DOI10.2307/4149323
OpenAlexW2313088900
IdiomaEN
Citas recibidas3

This article explores three fundamental aspects of text in the performance of Lao vocal music in the southern Lao province of Champasak: (1) the relationships between poetic structures and creativity; (2) extemporaneous composition of texts; and (3) repertory and its relationship to performance context.' I aim to provide an overall insight into the creativity and repertory of Lao khaplam texts with an emphasis upon indigenous concepts of textual structures, compositional methods, and thematic conventions and their associated terminology.2 Before exploring textual aspects it is necessary to provide the reader with some contextual information. Firstly, a general overview of Lao vocal music in Laos today is provided, locating this study within a broader tradition of Lao vocal music, and secondly, musicological information pertinent to the performance of Lao vocal music to remind the reader that the central topic of textual composition takes place within a musical framework

Archaeology · Art · Creativity · Indigenous · Linguistics · Literature · Musical · Terminology · History · Philosophy · Psychology · Social Psychology · Southeast Asian Sociopolitical Studies

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Citas por año0,14
Intervalo de citas2004 - 2010 (7)
Altamente citadoNo

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