The Double Repatriations of Cybernetics and Media Theory
Vilém Flusser and Heinz von Foerster
Datos Bibliográficos
| ID | 4935616 |
|---|---|
| Autores | Aaron Jaffe (autor de correspondencia) |
| Año | 2023 |
| Volumen | 54 |
| Número | 2 |
| Páginas | 1247-1255 |
| Fecha de publicación | 2023-03-01 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | New Literary History (JOURNAL) |
| Identificadores de la revista | ISSN: 0028-6087 • E-ISSN: 1080-661X |
| Editorial | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/nlh.2023.a907170 |
| OpenAlex | W4386890816 |
| Idioma | EN |
Connecting the dots between Vilém Flusser and Heinz von Foerster, this essay explores the links and somewhat belated co-emergence of media theory and cybernetics as a vanishing mediator in modern literary history and the posthuman turn: first, media theory's cybernetic investments and re-deployments of certain concepts and, second, a much humbler claim for cybernetics, namely, its status as a media theory in all but name. Preeminently, the idea that there's no outside to the Whole, second-order observation, the key piece from von Foerster, is central to Flusserian thinking. There's always an observer observing, and that's in any type of epistemology that's a hard problem of complexity, like a problem that can't be easily resolved. The subject isn't a human per se but a knot and also a not of relations, as Flusser puts it, a juncture for various channels of information that also presents impedances. Von Foerster's transit is from physicist - interested in engineering and a systemic constructivism - to meta-physicist reaching into the impossibilities of the social sphere and cognition
Art · Art history · Cybernetics · Epistemology · Key (lock) · Posthuman · Sociology · Subject (documents) · World Wide Web · Cellular Automata and Applications · Computer Science · Philosophy
| Altamente citado | No |
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