Guy Maddin'sCarefuland the Mountain Film
A Transnational Approach to German Film History
Datos Bibliográficos
| ID | 4960100 |
|---|---|
| Autores | Karolina Watroba (0000-0003-3462-5511, German Research Institute for Public Administration, autor de correspondencia) |
| Año | 2022 |
| Volumen | 49 |
| Número | 2 |
| Páginas | 133-160 |
| Fecha de publicación | 2022-08-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | New German Critique (JOURNAL) |
| Identificadores de la revista | ISSN: 0094-033X • E-ISSN: 1558-1462 |
| Editorial | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/0094033x-9734847 |
| OpenAlex | W3149259091 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 24 |
Guy Maddin is a contemporary Canadian director who has been often lauded for the national distinctiveness of his work. Maddin's Careful (1992), however, poses as an unrestored German Bergfilm (mountain film) from the early 1930s. This article offers a close reading of Careful and a critical dialogue with commentaries on both the mountain film and discussions of Maddin's oeuvre. Putting to use transnational perspectives, this analysis of a Canadian director's appropriation of a hallmark German genre problematizes previous constructions of national identity and national cinema as well as the periodization of film history
Aesthetics · Appropriation · Archaeology · Art · Art history · Close reading · Epistemology · German · German history · Literature · Movie theater · National cinema · National identity · Optimal distinctiveness theory · Periodization · Political science · Reading (process) · European history and politics · German Colonialism and Identity Studies · German History and Society · History · Law · Philosophy · Psychology
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 0,33 |
| Intervalo de citas | 2023 - 2023 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |