Regarding the pain
Noise in the Art of Francis Bacon
Datos Bibliográficos
| ID | 5082706 |
|---|---|
| Autores | Nicholas Chare (a 19 Moorview Way, Skipton, North Yorkshire BD23 2JW, UK E-mail) |
| Año | 2005 |
| Volumen | 10 |
| Número | 3 |
| Páginas | 133-143 |
| Fecha de publicación | 2005-12-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Angelaki (JOURNAL) |
| Identificadores de la revista | ISSN: 0969-725X • E-ISSN: 1469-2899 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/09697250500424395 |
| OpenAlex | W2093576264 |
| Idioma | EN |
| Citas recibidas | 8 |
| Referencias citadas | 8 |
Painting is the silent art. What does paint sound like? Paint, feint, quaint, taint, saint ... paint rhymes ... paint has rhythm ... paint the word; not paint the thing. Paint the thing is coated by the
Acoustics · Art · Art history · Painting · SAINT · Sound (geography · Visual arts · Philosophy, Ethics, and Existentialism · Posthumanist Ethics and Activism · Postmodernism in Literature and Education
Sound and Fury. Lending an Ear to Francis Bacon in The Shout (dir. Jerzy Skolimowski, 1978, uk)
Verge of Collapse
Making things public
Education and the Dangerous Memories of Historical Trauma
The role of geography in public debate
The Construction Zone
Visualizing Stories of Time and Place
Obdurate Pains, Transient Intensities
| Obras citantes distintas | 8 |
|---|---|
| Citas por año | 0,36 |
| Intervalo de citas | 2004 - 2023 (20) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 8 |