Incongruous Images
"Before, During, and After" the Holocaust1
Datos Bibliográficos
| ID | 5157902 |
|---|---|
| Autores | Marianne Hirsch (0000-0002-1383-8473, Columbia University), Leo Spitzer (0000-0002-4925-7291, Dartmouth College) |
| Año | 2009 |
| Volumen | 48 |
| Número | 4 |
| Páginas | 9-25 |
| Fecha de publicación | 2009-12-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | History and Theory (JOURNAL) |
| Identificadores de la revista | ISSN: 0018-2656 • E-ISSN: 1468-2303 |
| Editorial | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1468-2303.2009.00514.x |
| OpenAlex | W1909283373 |
| Idioma | EN |
| Citas recibidas | 14 |
When historians, archivists, and museologists turn to Eastern European photos from family albums or collections-for example, photos from the decades preceding the Holocaust and the early years of the Second World War-they seek visual evidence or illustrations of the past. But photographs may refuse to fit expected narratives and interpretations, revealing both more and less than we expect. Focusing on photos of Jews taken on the main avenues of Cernǎuţi, Romania, before the Second World War and during the city's occupation by Fascist Romanians and their Nazi-German allies, this essay shows how a close reading of these vernacular images, both for what they show and what they are unable to show, can challenge the "before, during, and after" timeline that, in Holocaust historiography, we have come to accept as a given
Archaeology · Art · German · Historiography · Literature · Narrative · Nazism · Political science · Reading (process) · The Holocaust · Timeline · Vernacular · World War II · History · Italian Fascism and Post-war Society · Law · Memory, Trauma, and Commemoration
Usos y sentidos otorgados por los actores sociales a sus fotografías personales. Abordajes metodológicos entre la antropología y la historia
Chieftaincy, Diaspora, and Development
Digital Visual Activism
Tempo Doeloe Nostalgia and Brani Memory Community
Fragmentary Jewish photo archives as sources for holocaust scholarship
Talking with images
The visible and the absent. An integrated visual history of a wedding in Auschwitz
Private photos and Holocaust testimony
At the crossroads with public history
Photography and the Art of Memory Creation
Postmemory and the Geographies of Violence at Kraing Ta Chan, Cambodia
Mindreading, emotion-regulation, and oppression
Presence as Absence
Social media as a means of visual biographical performance and biographical work
| Obras citantes distintas | 14 |
|---|---|
| Citas por año | 0,82 |
| Intervalo de citas | 2009 - 2026 (18) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 13 |