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The Importance of Neglected Intersections

Race and Gender in Contemporary Zombie Texts and Theories

Datos Bibliográficos

ID5246201
AutoresKinitra D Brooks (autor de correspondencia)
Año2014
Volumen47
Número4
Páginas461-475
Fecha de publicación2014-12-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaAfrican American Review (JOURNAL)
Identificadores de la revistaISSN: 1062-4783 • E-ISSN: 1945-6182
EditorialProject MUSE (PUBLISHER • US)
DOI10.1353/afa.2014.0062
OpenAlexW1530405276
IdiomaEN
Citas recibidas7
Referencias citadas13

In this essay, I focus my attention on the survivors of the zombie apocalypse, rather than the sociocultural implications of the zombies themselves. It is the life-and-death choices of the survivors and what these characters specifically choose to cull from their recent pasts in the rebuilding of a new post-apocalyptic civilization that I find most interesting. What worlds are constructed after the initial attack that brings on the zombie apocalypse? What power dynamics continue? Does Western hegemony continue? I choose to stay within the sphere of contemporary zombie horror because I believe it remains pregnant with opportunities to explore modern race and gender relations, for Kim Paffenroth insists that zombie movies are deeply psychological dramas, that "the real enemy is the group, with the fear and ignorance that tears them apart and sets them against one another." Finally, this particular piece focuses on the intricacies of the construction of black female survivors within contemporary zombie texts, reading their experiences within the context of black feminist theory. I begin with a retracing of the critical work that has been done on gender and race within the genre of horror itself, later focusing on the subgenre of zombie horror texts

Aesthetics · Art · Epistemology · Ignorance · Literature · Media studies · Popular culture · Sociology · Zombie · Gender Studies · Gothic Literature and Media Analysis · History · Modern American Literature Studies · Philosophy · Utopian, Dystopian, and Speculative Fiction

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    Gudrun Rath•Untotes Gedächtnis•2022

  • The fantasies of Black Final Girls

    Jerome P Dent•New Review of Film and Television…•2024

  • Posts” in the zombie apocalypse

    Brooke Bennett•Feminist Media Studies•2019

  • Getting the Final Girl Out of Get Out

    Kelly Wilz•Women s Studies in Communication•2021

  • ‘Just How Things Are … ’

    Jasmine Sandes•Australian Feminist Studies•2022

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    Chayla Haynes, Leonard Taylor et al.•The Journal of Higher Education•2020

  • Screaming along to mixtapes

    Open Access•James Rendell•Feminist Media Studies•2025

  • Black Women, Writing and Identity

    Carole Boyce Davies, Carole Boyce-Davies•Black Women, Writing And Identity•2002

  • Horror, The Film Reader

    Mark Jancovich•Horror, The Film Reader•2002

  • Pretend We're Dead

    Annalee Newitz•Pretend We're Dead•2020

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  • Men, Women, and Chain Saws

    Carol J Clover•Men, Women, and Chain Saws•2015

  • This Disease Called Strength

    Trudier Harris•Literature and medicine•1995

  • Black Macho and the Myth of the Superwoman

    Lorraine Mayfield, Michele Wallace•Contemporary Sociology A Journal…•1980

  • Doers of the Word

    Angelo Costanzo, Alessandra Di Costanzo et al.•American Literature•1996

  • Keeping Up Appearances, Getting Fed Up

    Tamara Beauboeuf-Lafontant, Tamara Beauboeuf–lafontant•Meridians•2005

  • All the Women are White, All the Blacks are Men, but Some of Us are Brave-- Black Women's Studies

    Dolores Pawley Dickerson, Gloria T Hull et al.•The Journal of Negro Education•1982

  • The Cult of True Womanhood

    Open Access•Barbara Welter•American Quarterly•1966

  • Mama's Baby, Papa's Maybe

    Hortense J Spillers•diacritics•1987

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    Open Access•Tamara Beauboeuf-Lafontant, Tamara Beauboeuf–lafontant•Gender & Society•2007

Obras citantes distintas7
Citas por año1
Intervalo de citas2019 - 2025 (7)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 7
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