The migration of musical instruments
On the socio-technological conditions of musical evolution
Datos Bibliográficos
| ID | 5305152 |
|---|---|
| Autores | Thor Magnusson (0000-0002-3731-0630, University of Sussex, autor de correspondencia) |
| Año | 2021 |
| Volumen | 50 |
| Número | 2 |
| Páginas | 175-183 |
| Fecha de publicación | 2021-03-15 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal of New Music Research (JOURNAL) |
| Identificadores de la revista | ISSN: 0929-8215 • E-ISSN: 1744-5027 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/09298215.2021.1907420 |
| OpenAlex | W3152052918 |
| Idioma | EN |
| Citas recibidas | 8 |
| Referencias citadas | 17 |
Music technologies reflect the most advanced human technologies in most historical periods. Examples range from 40 thousand years old bone flutes found in caves in the Swabian Jura, through ancient Greek water organs or medieval Arabic musical automata, to today's electronic and digital instruments with deep learning. Music technologies incorporate the musical ideas of a time and place and they disseminate those ideas when adopted by other musical cultures. This article explores how contemporary music technologies are culturally conditioned and applies the concept of ethno-organology to describe the nature of migration of instruments between musical cultures
Art · Musical · Visual arts · Computer Science · Diverse Musicological Studies
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Audience’s Perceived Expectancy and Authenticity of Classical Music Performance by Digital Musical Instrument Mobile Apps
Exploring the influence of contemporary global music on national music education
Exploring the Model of Contemporary Chinese Ethnic Musical Instrument Improvement Mechanisms
On mapping as a technoscientific practice in digital musical instruments
The Role of Smart, Haptic Wearables in the Performance of Mensura
Live Coding in Music Theater—A Comprehensive Technique? The Case of Dumrul and the Grim Reaper
| Citas por año | 1,6 |
|---|---|
| Intervalo de citas | 2021 - 2025 (5) |
| Altamente citado | No |