It is unseemly to be famous
Anna Akhmatova, Boris Pasternak, and the melodramatic dynamics of the myth of the Russian poet in Russia and the West
Datos Bibliográficos
| ID | 5675006 |
|---|---|
| Autores | Alexandra Harrington, Alexandra K Harrington (Durham University, autor de correspondencia) |
| Año | 2016 |
| Volumen | 7 |
| Número | 4 |
| Páginas | 509-525 |
| Fecha de publicación | 2016-10-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Celebrity Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 1939-2397 • E-ISSN: 1939-2400 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19392397.2016.1233769 |
| OpenAlex | W2529841850 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 40 |
Russian literary celebrity of the Soviet era is conditioned by specific factors that challenge key assumptions in scholarship focused on western culture. These factors (which include stringent censorship, doctrinaire cultural policy, and samizdat) and the problems they pose in relation to literary celebrity are explored here through an examination of the careers of poets Anna Akhmatova (1889–1966) and Boris Pasternak (1890–1960). Both poets experienced popular adulation, but were also subject to official anathematisation that conferred notoriety. Political repression rendered them crucial role models for the Soviet and post-Soviet intelligentsia, engendering hagiographic representations based on their own self-fashioning in both Russia and the West, against the background of Cold War politics. Akhmatova’s melodramatic self-presentation has recently formed the basis for attempts to challenge her cultural authority, considered here in relation to gender and the paradoxical notion of posthumous celebrity. Finally, the cases of Akhmatova and Pasternak offer a useful prism for considering literary fame in relation to neo-Darwinist meme theory, because they illustrate the extent to which making an impact on public consciousness involves insistent repetition of culturally ingrained, recognisable patterns and models of authorship and fame. Overall, this article demonstrates that apprehension of the specificities of Soviet literary culture makes a significant contribution to understanding literary fame and celebrity more broadly
Art · Censorship · Consciousness · Epistemology · Intelligentsia · Literature · Mythology · Political science · Politics · Scholarship · Folklore, Mythology, and Literature Studies · Law · Philosophy · Russian Literature and Bakhtin Studies · Soviet and Russian History
The melodramatic imagination
Lord Byron and Scandalous Celebrity
Homes and Haunts
Celebrity and Power
Russia's Dangerous Texts
Byron's Romantic Celebrity
After the Great Divide
The field of cultural production
After the Great Divide
Putin as Celebrity and Cultural Icon
An Introduction to the Work of Pierre Bourdieu
Understanding Celebrity
Samizdat, tamizdat and beyond
Anna Akhmatova
Russian Literature. A Very Short Introduction
Commemorating Pushkin
My Half Century
Anna Akhmatova's Biographical Myth-Making
Anna of All the Russias
Fetishising intellectual achievement
Shrines and Pilgrimage in the Modern World
Literary celebrity reconsidered
The field of cultural production, or
Max Weber on Charisma and Institution Building
Necropolitics
| Obras citantes distintas | 1 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2025 - 2025 (1) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |