The rise and fall of the 'King of Hanmai'-MC Tianyou
Datos Bibliográficos
| ID | 5675595 |
|---|---|
| Autores | Jian Xu (0000-0002-1138-1158, Deakin University, autor de correspondencia), Ge Zhang (0000-0003-1668-8017) |
| Año | 2021 |
| Volumen | 12 |
| Número | 2 |
| Páginas | 333-338 |
| Fecha de publicación | 2021-04-03 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Celebrity Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 1939-2397 • E-ISSN: 1939-2400 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19392397.2020.1783747 |
| OpenAlex | W3036709865 |
| Idioma | EN |
| Citas recibidas | 13 |
| Referencias citadas | 6 |
Hanmai, which literally means ‘yell mic’ or shouting at a microphone, is a hybrid music genre that appropriates rural DJ practice, Chinese pop music, thug culture of Northeast China and other eleme
Art · Visual arts · Asian Culture and Media Studies · History · Hong Kong and Taiwan Politics · Music History and Culture
Mainstreaming wanghong in the international press discourse
Governing social eating ( chibo ) influencers
Regulating tuwei culture and migrant youth through Kuaishou's platform governance
Introduction
Introduction to the Special Issue on ‘The Future of Wanghong’
Be my boss
Capybaras as Internet celebrities
Exploring music geography beyond the West
Selling intimacy online
From ‘ wanghong ’ to ‘ wanghong thinking ’
Gender Order, Microcelebrities, and the Covid-19 Pandemic
Frontline celebrities featured
Chinese celebrity and the pandemic
| Citas por año | 3,25 |
|---|---|
| Intervalo de citas | 2022 - 2025 (4) |
| Altamente citado | No |